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It’s finally Angela’s turn to spend some alone time with Madarame in Chapter 114. Looking as if she’s going to do something wildly inappropriate, especially for a shrine, but in fact it doesn’t amount to anything more than hand-holding and longing stares. However, what would normally be considered fairly chaste interactions are in fact evidence of Angela’s absolutely diabolical nature when it comes to winning a man. At the same time, Keiko and Yajima are on their own, but to describe them as oil and water is to not quite do their dynamic justice. Keiko quickly realizes that Yajima likes Hato, and wonders how she can use that information.
When I first saw Yajima start to talk about how much she disliked Hato’s crossdressing to Keiko, my only thought was, “Yajima!!! Don’t do it!!! You don’t know what you’re getting into!” Yajima is too much of an open book and Keiko is already extremely perceptive as it is, so it’s no wonder Keiko figured it out rather quickly. With this knowledge, one has to wonder if Keiko will try to pair the two together, somewhat like Yoshitake, except for her own ulterior motives as opposed to maintaining overall harmony as Yoshitake desires. Though, Keiko and Yoshitake cooperating sounds rather frightening, and I look forward to possibly seeing more.
That brings us to the main feature of Chapter 114: Angela and how she has basically done her research. In the past, she mentioned that what she wants most is for Madarame to fantasize about her on those lonely nights, because doing so will conflate lust with love in Madarame’s virgin otaku mind, and will make Angela that much more desirable to him. In her last attempt, she took an extremely aggressive approach, basically attempting to throw Madarame off the diving board when he had never stepped into the kiddie pool. This time, rather than trying to get Madarame to touch her breast, she directs his hand towards her face, and thus encourages him to stare into her eyes as she gives a warm, inviting smile. However, because of the close call last time, perhaps because of everything Madarame’s been through since they last met, and because Angela decided to wear an extremely bold and unrealistic outfit that accentuates her superior figure compared to the others (generally speaking), she is letting Madarame’s imagination do the work. Angela is essentially taking advantage of the otaku mindset to water the seeds of wild and uncontrollable urge she had originally planted in Madarame’s head way back.
Otaku, especially the typical kind of Madarame’s generation, are confronted with two images of romantic love interests in anime, manga, and games. The first is the sweet and innocent childhood friend, the pure girl who’s all about long walks and blushing profusely. The second is the highly physically attractive type who somehow doesn’t realize that she’s the center of attention when it comes to guys. A lot of times, these two characters overlap (you can even argue that Ohno starts off as this type), and Angela is actively playing both roles. She’s the sexual dream who’s also now shown her “maiden” side, and Madarame is encouraged to connect fantasy A with fantasy B. Probably any guy given this information would have a similar reaction, but because Madarame is who he is, it’s 10x more intense. In a way I feel like Angela’s actions directly confront what an otaku is, or was supposed to be.
It’s also telling that Angela immediately gives Kuchiki the cold shoulder. She isn’t “easy,” but rather just knows what she wants.
The last thing I want to talk about this chapter is, of course, Ogiue. Though she’s not the spotlight of this chapter in any way, she does have an interesting moment with Yoshitake. As Yoshitake falls into tour guide mode, she claims that it’s just her and Ogiue spending time alone together. In order to emphasize this, Yoshitake whispers sweet nothings in Ogiue’s ear, and by sweet nothings I mean history trivia that would directly appeal to Ogiue’s fujoshi side.
We’ve seen Ogiue blush in many different ways, but I don’t think it’s ever quite been like this.
After the bomb drop that was last month’s Genshiken, Chapter 112 winds things down a bit, only to then create anticipation for next month. In a way, it’s a much needed break, but the fact that it ends by mixing up the formula a bit basically makes me want to read the next chapter already.
As Yoshitake nerds out about the history of Nikkou and its connections to Japan’s past (something I don’t specialize in but would totally make an interesting post by someone other than me), they remember Hato’s return the previous night. While a lot of the girls are suspicious about what happened, especially Keiko, Hato quietly resigns for the evening, and Yoshitake turns out to be the kind of snorer you can’t ignore. Yoshitake then proposes an idea: draw straws (“kujibiki” in this case), and randomly pair off. While the hope to further some romances looms about, the gods of probability crush almost all hope of that happening.
I’ve never been a part of Hetalia fandom, but I’m aware that it’s encouraged a lot of girls (and even a few guys) to study history more extensively. In that respect, I wonder if Hetalia fans feel a significant connection to Yoshitake, even if Hato is the one who’s explicitly stated that he’s into that series. Speaking of Yoshitake, I’m always impressed by the translators who bother to work through all of her text. The way it’s hand-written, and appears as if it’s trying to economize every last bit of word balloon space, and the fact that this chapter even features a map in the middle of one onslaught of verbage makes it seem like you’re not really meant to read what she has to say.
As is often the case with Genshiken, this chapter is primarily about setup, a brief pause after the weightiness of Hato’s heart to heart talk with Madarame. While of course the decision to break these characters off into specific pairs was probably not random (unless Kio actively chose to replicate what Yoshitake does in the manga itself), I think it’s both telling of Yoshitake’s desire to be the grease that moves the wheels forward, and that both the author and the characters haven’t forgotten about good ol’ Kujibiki Unbalance.
While it’s doubtful that anyone who’s still reading Nidaime doesn’t know what that is, it’s kind of fascinating that the series which so dominated the conversations of the old generation have all but vanished with these youngins. I wonder if Kio misses that a bit. Not only is the chapter title, “Kujibiki Unbalance 1” a reference to it, but at one point Yoshitake says, “Kami-sama no iu toori,” or “Do as God says,” which is a line from the Kujibiki Unbalance anime opening.
When Yoshitake revealed the kujibiki, I was hoping for the wildest and nonsensical pairings to happen, and in the end my wishes were fulfilled where it counts. While it wasn’t 100% off-the-wall (Ogiue + Sue and Angela + Ohno are obvious ones), seeing things like Hato + Keiko and Madarame + Yoshitake has a certain odd thrill, either because there’s so much tension or because there’s none at all. It’s almost like when characters have to change seats after a semester, and it becomes an opportunity to really see sides of them that we the manga readers haven’t before, or when you’re watching a fighting game tournament and two characters who rarely fight each other are in the grand finals. You’re not sure if you like it more, but the novelty alone keeps you glued.
If we’re allowed to speculate (and seeing as this is my blog I’m going to say it’s okay), I think that the main focus of the next chapter will probably be Hato and Keiko, which will involve Hato trying to pussyfoot around the subject of Madarame and Keiko going straight for the proverbial jugular. Keiko, while not the sharpest tool in the shed in certain respects, is still very perceptive, and even if that’s not enough she’s the type to really egg someone on and force them to admit something. From there, I predict Keiko will really try to force Hato to confront why exactly he crossdresses, and might even explain directly what she finds to be so disingenuous about Hato’s personality and behavior.
Also, on the topic of Keiko, is she purposely wearing a coat that’s similar to Madarame’s? It’s not the kind of clothing I typically associate with her, and as stated previously, she’s intentionally toned down her makeup to appeal more to Madarame’s sensibilities.
And if I were more into yuri, I’d probably make a bigger deal out of both Ogiue and Sue pairing off for the trip, and the fact that they slept in the same sheets at Yajima’s home. I’ll leave that to the other intrepid fans.
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Chapter 107 of Genshiken II mostly takes place on a train. Unlike Baccano!, there is no trail of dead bodies, thanks mostly to Yoshitake.
The crew is traveling to Nikkou, a popular domestic and foreign tourist destination, which happens to be located near Yajima’s hometown. As Kuchiki feels that his spotlight has been stolen by Madarame and the women who love him, Yoshitake placates his (somewhat justified) anger by playing with him various classic school trip games, like
UNO UMO, at the same time she tries to encourage Madarame towards a romantic conclusion. Before arriving at Yajima’s place, Yoshitake reveals that she deliberately split off Kuchiki and Madarame into their own hotel room to keep boys and girls separate, except also intentionally failing to mention that Hato is considered one of the girls in this instance.
Genshiken can generally be considered something of an ensemble series, with a rough protagonist in each part. First it was Sasahara, next it was Ogiue, now it might be considered Hato. However, if you were to take just this chapter by itself, and define protagonist in the conventional sense as the character whose actions move the narrative forward, then Yoshitake is clearly the hero in this instance, setting the characters on their paths, or at least trying to do so. That, or she’s like Satan, purveyor of half-truths, hiding her ulterior motives by giving reasons that appeal to her targets’ senses. For Madarame, pushing him towards altruism by bringing closure to his harem woes and preventing any potential fractures in the club hide her simple desire to see her friends end up happy.
Not that I dislike Yoshitake, but rather, as Japanese blogger tamagomago once said, Yoshitake is very good at being the glue that holds a group together. Here she demonstrates that ability to full effect using her silver tongue, managing to set up two different groups that take on different dynamics depending on which guy is placed within them. Madarame surrounded by Angela, Keiko, and Sue is pretty self-explanatory, but as soon as he shifts over to Yoshitake, Yajima, and Hato, it becomes an opportunity to see how Hato and Madarame react to each other. At the same time, Kuchiki being with the other girls lets him somewhat fulfill his harem fantasy, if only in the most bare-bones manner.
Of course, the other characters get their own moments too. While Yoshitake is the one moving things about, it’s the others’ lives that are the concern. Angela makes her appearance after a long while, and in a few moments she gets tied directly into the developments of the previous chapters. Specifically, she has a duel of confidence with Keiko, which references the close call that Madarame had with her, and she gets her breasts fondled by Sue, who is still mad about Madarame’s comment about breast size. Despite being so far away, she still perhaps has a “chance.”
Another character makes her return in Mimasaka, Yajima’s old friend, only this time she has tiny hearts literally emanating from her being. Previously I had considered the possibility that her affection for Yajima might merely be platonic (or at least something like what Sue feels towards Ogiue), but this little detail changes things. For one, it makes for a complex chain of romance where a girl likes another girl who likes a boy who dresses like a girl who likes a guy who recently had his heart broken and is currently popular with the ladies. We also get to see Yajima’s mother, who clearly resembles her. The chapter mentions something about genetics in terms of appearance, but I do find it interesting that Yajima’s mom is so much more cheerful than her daughter. Obviously their lives and circumstances are different, but it does make me a bit curious what her home life was like.
Ogiue literally took a backseat this chapter, staying out of the storm while on the train. One notable moment is that you can see her internal speech is still Tohoku-ben (Watashi wa zutto Sue to issho nandabeka…).
As for next chapter, the preview mentions that it’ll be centered around the Yajima household. I for one am curious when that Angela-centric chapter will happen. It’s really on a matter of when.
One last thing to mention: a new volume of Genshiken came out in Japan, and once again it comes with different store exclusives. This time, they’re Christmas-themed, and they feature Sue, Hato, and Angela, as well as a group shot.
As Madarame licks his proverbial wounds after his “close encounter” with Keiko, Hato reveals to the Genshiken club members that he’s decided to finally try and draw manga, and non-BL stuff to boot. Frustrated over her own lack of talent compared to Hato, Yajima decides in a moment of frustration to draw her own manga as well. The next day, both of them give their comics over to Yoshitake and Ogiue to read, at which point the unexpected occurs: they love Yajima’s manga much more. While Hato’s artwork is superior as expected, his story is inscrutable. Yajima, on the other hand, although lacking talent in terms of pure draftsmanship, is actually Hato’s better when it comes to the comics format.
For this chapter, I feel that there are two major points of discussion.
The first is that Chapter 104 is all about revealing new facets of characters we should have been more than familiar with at this point, and how this potentially changes their interpersonal dynamics in the process. Yajima up to this point has felt consistently “defeated” by everything around her, from her looks compared to the other members of the current Genshiken, to her poor drawing skills, to even having the little attempts she makes to try and “catch up” backfire. Hato has served to further magnify this inferiority complex, an issue further complicated by her feelings for him. Yajima is a character who survives off of stubbornness and perseverance, but now for the first time, possibly in her entire life, she has “won.” She has displayed a skill that is not easy for most people, outdoing Hato in the process, and perhaps even Ogiue the manga professional. Yajima might finally get the confidence she’s been missing all these years, and it potentially changes her relationship with Hato as well.
There’s also an important lesson for readers in that creating comics is not simply about being able to draw well. As is mentioned in this chapter, having your ideas come across effectively is often considered to be just as if not more important, and there are plenty of manga which succeed not because they look the best, but that their style is conducive to storytelling, or is just plain entertaining even if they might look ugly as sin.
As for Hato, it’s actually quite interesting to see the degree to which Hato is fazed by his lack of success in creating his first manga compared to Yajima. Since the start of the second series, Hato has consistently been shown to be unusually talented in pretty much anything he puts his mind to, be it judo, crossdressing, or even mimicking the drawing style of the girl he looked up to. While he isn’t a perfect being, seeing as Hato has hit obstacles in the past such as his eccentric drawing style when out of girls’ clothing, it’s clear that Hato is in a way unaccustomed to failing when there are no mental blocks in his way. For the first time, he may have to realize his limits, but in the process might become more thankful of the myriad talents he does possess.
There’s a strong likelihood that this new angle leads to collaboration between Hato and Yajima. The last campus festival was all about team efforts to create manga, and seeing as the two potentially complement each other better than the Hato/Ogiue or Yajima/Yoshitake duos, it could lead to great things. Of course, the burning question in all of this is, could this collaboration be the catalyst for something more romantic? Given Madarame and his woes, it’s impossible to predict Genshiken anymore, but there is a precedent of sorts with Sasahara and Ogiue.
Speaking of Ogiue, even she shows another side of herself in this chapter as we get to see her ultimate goal for Genshiken. Having inherited the club from Ohno, she’s been not-so-secretly desiring the end of the club’s reputation as a “Cosplay Research Society,” but only now are the pieces in place to mold Genshiken in her image as a manga-creation club. Though I don’t think Ogiue is any sort of devious mastermind, I do have to wonder if the executive decisions we’ve seen out of her so far—the return of the Genshiken club magazine Mebaetame, encouraging the creation of manga for the campus festival—were all building blocks for this. Overall, I’m honestly surprised at how much this chapter feels like it changes everything, and yet is such a sensible progression of the story as the characters’ emotions are on full display.
That leads me to the second major pojnt of discussion for this chapter: THE FACES.
I’ve talked about the amazing expressions in Genshiken II before, but this chapter blows every previous one out of the water. Just look at these images of Yoshitake with a grin that would make the Joker jealous, and how Hato’s intensity is radiating off the page.
Of course, seeing Yoshitake practically melt into a pile of goo seen above is one thing. After all, Yoshitake has always been a powerful source of hilarious faces. So is seeing Hato’s expression of jealousy over Yajima’s heretofore unknown talent for manga, as it’s not that different from how he usually looks, even if it is kind of unexpected. What’s really remarkable though, at least from my very biased perspective, is the veritable treasure trove of Ogiue faces that this chapter has graced us with. In the past, Ogiue was mainly known for a perpetual expression of deep anger, and even in moments of joy (like the intimate moment she and Sasahara have in the final chapter of the original series) she still tended to stare daggers at people, if unintentionally. One of the big shifts in Nidaime is the fact that her expressions have softened up considerably over time, and in a way it feels as if this chapter is the culmination of that development.
I don’t have any exact statistics on this, but I do trust my memory as an Ogiue fan on the following: do you know when’s the last time we got to see Ogiue literally laugh out loud so hard she couldn’t control herself? The answer is never. I believe it is a first for the character, and it helps to hammer home the point that Yajima’s manga is legitimately funny, and legitimately interesting.
Next chapter looks to be focused on Madarame and Sue. Given the insanity of last month’s chapter I think this “break” from Madarame’s girl troubles is great, but seeing as this chapter was so downright enjoyable, a part of me hopes that it shifts back to the threads that have laid down here as soon as possible, even though I expect great things out of whatever antics Sue has in store.
After being absent for many chapters, Yoshitake Risa makes her return. Having given up a potentially successful career in basketball to take the entrance exam for Shiiou University, she and her older sister Rika have a heart to heart talk the night before, which quickly turns extremely otaku. At the same time, Yajima, Hato, and Sue have their own conversation about the younger Yoshitake, based around the fact that part of her inspiration for trying to get into their university is Hato and his crossdressing. Despite waking up late, a freak snowstorm delays the test, and Risa manages to make it there on time and pass the test.
The title of this chapter, “Little Sister Entrance Exam II,” is a reference to when Sasahara’s sister Keiko tried to get into Shiiou University herself. She failed, though Risa appears to be a good deal sharper academically, which changes the result.
This month’s Genshiken, despite having a clear general focus on Risa and her test, is still surprisingly complex to the extent that I’m not sure if I can cover everything, though to be honest I rarely every do despite my attempts. There are three areas which I think are especially interesting, though, so I’ll focus on those. The first would be Risa’s relationship with Hato, or more specifically her image of him. An unabashed shotacon, Hato’s naked body is what made Risa realize that her interests could be fulfilled in the adult world. However, the fact that she sees Hato as a kind of real life version of her ideal male fantasy (she asks him to wear legs-exposing short pants if she passes, which over the course of the chapter degenerates into some kind of reverse-gender take on zettai ryouiki), clashes in an intriguing way with the developments we’ve seen Hato go through all this time. He’s gone through a period where he refused to wear women’s clothing, and then come back around as he’s accepted his own feelings for Madarame, and here Risa is projecting her own interests onto him. What was already a complicated situation continues to grow, and that’s not even mentioning Risa’s own gender-bending actions.
The second area would be the start of Hato’s “harem.” Recently, the focus of Genshiken has been the number of people interested in Madarame, which the series has been using to explore the idea of the harem manga by way of the otaku sensibilities of the Genshiken characters. In this chapter, we not only see once again that Yajima has feelings for Hato, but that there might also be something with Sue, and Risa expresses her own interests in Hato (even if they’re mixed up with her otaku fantasies). Then there’s also Konno the googly-eyed goddess, who doesn’t appear in this chapter. Suddenly the series isn’t about one man’s “harem” (even though the term is kind of bad for describing when two or more people like you), but two intersecting ones. Granted, Yajima’s fear of Sue seems fairly unfounded, and I think it’s meant to show more her concern over potentially being outclassed, as well as her realization that it’s getting harder for her to deny her own feelings for Hato when she references her and Risa as “rivals.” I also find it notable that Risa is the only one to state some sort of interest in Hato to him, instead of only confessing to friends.
The third area is of course the subject of the entrance exam itself. Rika’s advice to her little sister is this mix of big sister attitude and fellow understanding as an otaku. In particular, Risa struggles with whether it was okay to walk away from basketball on a whim, to which Rika essentially responds that being an otaku means living by your passions even if it means making seeming unreasonable choices. The idea is that otaku aren’t as able to stifle their interests in the hopes of integrating with the rest of the world, and Risa already has done a relatively bang-up job what with her successful high school life. Something about this really strikes a chord with me, probably because I know others who’d probably give the same advice, and it’s something I’d encourage as well. On the other hand, this advice can also be abused such that one might refuse to better oneself, but that’s the kind of risk that exists with this sort of philosophy.
One last note: Sue’s snow shenanigans at Madarame’s place make me think of her as a kindred spirit to Calvin from Calvin & Hobbes. Now that’s some crossover fanart I’d be interested in.
Chapter 97 of Genshiken II has quite a few significant developments, but they appear almost when you least expect them.
Yoshitake and Yajima decide to check out Hato’s new apartment, which is closer to the university. As they relax together, Yoshitake persists in trying to get Yajima to make a move on Hato or at least do something. The conversation goes to the topic of Madarame (who’s been looking for a new job), who then turns out to have a cold, prompting a visit.
While Hato uses his spare key to check up on Madarame and returns it, Yoshitake finally gets Yajima to admit that she has some feelings for Hato. As they discuss the fact that there’s actually an open apartment in Madarame’s building, Sue pulls up in a moving truck revealing that she will be living next to Hato (edit: not Madarame like I previously thought) from now on.
I find this chapter fairly difficult to process because it progresses so deceptively. What appears to start out as a Hato-centric chapter slowly reveals itself to be actually more of a Yajima and Yoshitake story, while the idle chit chat of the beginning eventually transforms into probably the most serious conversation about sexual orientation seen thus far in Genshiken. This unusual pacing makes it so that when Yajima finally quietly and grudgingly admits that she has some feelings for Hato (“…I don’t not like him”), it’s so subtle yet upfront that at least for me personally it feels like there’s a delayed response, like I’ve been hit by Kenshiro and am just waiting for my head to explode once it fully processes all of the implications.
Yajima’s moment plays out in the page below, and just the juxtaposition between her face and Yoshitake’s delightfully beaming face over getting her friend to finally come out with what Yoshitake herself has known all along is probably the highlight of the chapter. I know that manga sometimes gets ragged on for focusing too much on faces and not trying to draw more anatomically realistic characters or backgrounds, and then that the common response is to whip out something with really nice rendered art like Berserk. However, I think it’s important to appreciate skillfull use of faces in terms of creating a strong sense of flow and composition, even when it’s just two panels.
There’s also this sense of a narrative passing of the baton as while Hato has come to accept his feelings for Madarame, now it’s Yajima’s turn for conflict and confusion. In Yajima’s case it has nothing to do with her own sexual orientation. Instead, as far as I can interpret things, it has a lot to do with her own poor self-image mixed with some guilt over how she’s treated Hato and the realization that Hato feels something for Madarame. More than her appearance or her fondness for Shounen Jump analogues, it’s moments like these, where Yajima diminishes the value of her own romantic affections in favor of what’s already where, that makes Yajima feel really and truly like an awkward otaku.
As an aside, as much as I like Kinnikuman myself, I’m always a little surprised to see it referenced so readily in anime and manga, a reminder of how popular and beloved it really is. In this case, it’s Yajima using the Hell’s Guillotine, a signature move of the villain Akuma Shogun when she retaliates against Yoshitake’s antics.
When Yoshitake discusses sexuality, she mentions the idea that the fujoshi fantasy world of BL pairings is far different from the reality of a homosexual relationship and that there are (social) challenges awaiting anyone who accepts being part of a sexual minority. Not only is this rather poignant and serious, but together with the fact that she considers the likely reality that someone is going to get hurt in this no matter what, this chapter really highlights the fact that Yoshitake really thinks a lot of her friends. That said, she also kind of brushes aside her high school friends in a comment to Yajima and Hato, thought I take that as her having different types of friendships with different people. Even her friendships with Yajima and Hato individually aren’t quite the same.
As for Sue, the comedy potential for her living next to Hato is obvious, but it casts an interesting context in retrospect on Sue’s appearance in Chapter 95. While Sue being surrounded by mountains of merchandise epitomizes her as a mighty otaku, it also gives off this stark image of loneliness and isolation, which might explain in part the decision to move.
The last thing I want to do is go back to the faces, because this chapter has some of the best I’ve ever seen in Genshiken. You can already see in the Yajima-Yoshitake image above. The series has always been pretty good with the expressions, especially with the old Ogiue’s intense glares and Yoshitake’s general aloofness, but I feel like they’re on a whole other level here.
Seeing this Ogiue face below fills me with a strange kind of glee. In it, she’s basically refusing to get anywhere near a beauty salon. It’s interesting but also completely in character for her to be especially uncomfortable going to that sort of place even though she’s become much more fashionable over time.
Ohno and Yoshitake are thinking about going to a beauty salon, and try to rope Yajima along. Yajima, being the consummate otaku she is, resists to the best of her abilities but eventually concedes. (Un)fortunately, the latest fujoshi-targeted anime hit comes out and all of their plans go out the window as Ohno and Yoshitake spend all of their money on buying the blurays. Yajima gloats.
I enjoy every chapter of Genshiken that comes out, but this month in particular I found myself literally laughing out loud multiple times while reading. Even though most of it is just Yoshitake, Yajima, and Ohno sitting around and talking about whether or not they should go pretty themselves up, the combination of Yoshitake teasing Yajima and the way their conversation always re-emphasizes their identities as otaku makes the whole thing feel delightfully endearing. At one point Yoshitake suggest bringing along Kasukabe and going to a particularly expensive salon, only to be reminded by Ohno that they just all went to ComiFes and are mutually low on funds.
In a way, I find the beginning of the chapter to be kind of a fake-out even ignoring the way Ohno and Yoshitake backpedal, because the fact that it begins with Ohno talking about finally cutting her hair short brings to mind an older conversation where she mentions that the long hair can be an interview while job-hunting, and so we’re led to believe that she’s referring to finally getting serious and moving out into the adult world. It even ties a bit into Tanaka’s implicit proposal back in Chapter 83. Then we find out it’s just so that she can cosplay more character and that goes out the window. Ohno’s refusal to enter the “real world” is an interesting character flaw, to say the least.
(Also notable is the appearance of Kantai Collection references. It had to happen!)
The real focus of the chapter though is Yajima, who once again is feeling the pressure of fashion and appearance, though notably this time Hato is in no way involved outside of a mention by Yoshitake. It’s interesting seeing this topic again after so many other other developments have occurred, like the resolution of Mada/Saki and Hato’s realization about his own feelings, as I think it makes it easier to connect to Yajima who appears to feel almost lost in the madness. Yajima scoffs at the idea of going to a beauty salon initially, stating how she prefers getting 1000-yen haircuts to whatever madness other girls prefer, and it’s entirely understandable. Hell, when it comes to conversations like this, I am mostly on the side of Yajima, and I even recall recoiling in horror at seeing the price of haircuts when I lived in Japan myself.
Of course, as a guy I don’t have to deal with the same societal forces which tell me that appearance is important, and when you look Genshiken it’s clear that even though all of the guys have become more fashionable over time, it’s not nearly the same as what girls have to go through. Like the most significant pieces of fashion advice I’ve received are to not wear clothes that are too large for me, and to never wear yellow (it doesn’t match me apparently), and that’s pretty small potatoes compared to going to a beauty salon. That said, I’m reminded me of what Yoshitake had to say about fashion, which is that she dresses up not to attract men but to intimidate women. Fashion becomes a tool, rather than an identity, though that’s probably still too much for Yajima (or myself for that matter).
Out of all of the funny moments this chapter, the biggest one has to be the reveal of the fujoshi-bait show of the fictional in-universe Winter 2014 season of anime. Suikyuu! is an anime about water polo of all things, a kind of mix between the team competition of sports series (like volleyball manga Haikyuu!!, namely) and the lithe, well-defined fanservice of Free! It even has the exclamation point! From Yoshitake’s reactions to seeing a team of elderly men join in (and thus set up the obvious reveal that Ohno watched it too), I think this is the first time that Nidaime has its own Kujibiki Unbalance, something which is grounded in the tropes and trends of the time that can be a consistent source of discussion for the Genshiken members. At least, that’s the potential, as we’ve of course yet to see more of it.
As Yoshitake and Yajima discuss the Madarame “harem,” Hato shows that he is more accepting of all the complex facets which make up who he is. Given the issue of romance in the air, however, Yoshitake worries that it could end up breaking Genshiken apart.
One of the manga volume extras has Tanaka and Kugayama discussing the idea that romantic feelings can often destroy otaku groups, and to see that “aside” brought to the forefront in the main manga is interesting, to say the least. It’s an aspect of “nerd friendship” that has been left unexplored in Genshiken so far, for better or worse. Madarame had his thing with Saki, of course, but that was defined more by Madarame’s silence, and now that their particular subplot finished with everything out in the open, the potential drama of the current situation acts as perhaps an extension of that. It’s like every time I look at Genshiken another new arc or period is starting.
Of course, the fact that when Tanaka and Kugayama talked about otaku groups falling apart they had in mind the lone girl whom all of the male otaku fawn after, which is completely flipped with Madarame here. I think I wouldn’t be a fan of too big a swing into “club drama” in the venomous sense, as I think it might get way too far from the core of Genshiken (I’d hate to see friendships fall apart), but given where the series has been and my sense of how Kio Shimoku has advanced the story of the new generation so far, I strongly doubt that’s where it’s headed. Even if it does, I think the man has enough skill to execute it well and make it an opportunity for contemplation nevertheless.
This chapter shows once and for all that the projections have been manifestations of various conflicts in Hato. With the other Hato it’s about how he has tried to maintain this dual mental identity such that his “male” self and his “female” self are two separate entities when in fact they are, as the other Hato put it, the same person. When it comes to the Kaminaga stand, however, given what we know now it’s clear that she represents Hato’s repressed feelings for Madarame. As I’ve stated many times before, I find it interesting that these are two separate aspects. Seeing Hato accept and “absorb” them is probably the highlight of the chapter, as it show perhaps more than any other scene with Hato in the entire of the manga a kind of resolution, or should I say resolve? There’s something powerful about seeing those semi-subconscious facets of Hato disappear from the page, almost like the last time we see Madoka in the original Madoka Magica TV series. I find it also significant that Hato now wants to find an apartment closer to the school so that he doesn’t have to change at Madarame’s place. The idea is obviously that Hato’s own feelings for him make that scenario incredibly uncomfortable for Hato.
A first for Genshiken is that we get to see Sue by herself this chapter. Usually she’s with Ohno, or Ogiue, or Angela, but here Genshiken presents the lone Susanna Hopkins, and though there’s nothing surprising about her lifestyle (or the fact that her dorm is a mess!), there’s an almost melancholy feel to seeing Sue without others to bounce off of, for her actions to collide with the sensibilities of others. If it weren’t for the stuff with Hato mentioned above, I would say Sue in her dorm room would have been the most powerful image in this chapter. Also, though it’s hard to tell I think Sue lives in an on-campus dorm specifically devoted to foreign students. My clues are the bits of unreadable English (or other roman alphabet text) on a couple of plaques and the fact that the two other dorm residents portrayed are speaking something unintelligible for Sue.
I also feel the need to talk a bit about Yoshitake, if only because, as much as the old Genshiken characters were into some pretty hardcore stuff, they never spoke so openly and candidly about topics like sex. Of course, Yoshitake’s exclamations come from a place of otaku fantasy and not personal experience, so it’s not that different, but she’s a far cry from everyone else outside of maybe Angela who’s more forward and is more sexually active than Yoshitake is. I think Yoshitake’s decision to title the whiteboard list of Madarame’s faults as “Rame-senpai no koko ga ramee,” which makes it sound like a line from a porn manga, says it all. As an aside, Yoshitake makes a reference to Kamijou Touma (I’ll break that illusion apart”), which I’m sure will please at least a few.
Sadly we did not get to see Ogiue in her hometown, which I was really hoping for. That said, though this may just be my own wishful thinking, I believe that Ogiue could play an important role in all of this because she understands the emotional and relationship damage that can happen when people refuse to communicate with each other, which I think is the biggest “threat” when it comes to a club like Genshiken falling apart.
It’s winter break. After the old guard of Genshiken (+ Kuchiki) discuss Madarame’s sudden romantic prospects from their old school otaku perspective, Madarame finds himself being visited by Yoshitake and Yajima. Of the four potential partners (Hato, Keiko, Angela, Sue), Yoshitake recommends Keiko for Madarame due to her similarities with Saki. The chapter ends with the image of Hato visiting home, where he meets his brother Yuuichirou and Kaminaga, who are pretty much married now if not already so.
A lot of previous chapters have been some sort of closure, whether that’s with Madarame and Saki, or Hato’s feelings, but this one feels like a transition. Between the mention of Yoshitake’s sister Risa taking college entrance exams and Ogiue and Hato visiting back home on top of everything Madarame is going through, it gives me an impression of a change coming almost on the level of Ogiue’s appearance and the shift in focus over to her. Given how many chapters Genshiken II has run already this kind of makes sense, as Ogiue appeared at a similar point.
I’m really impressed with how the manga portrays Madarame handling suddenly being the center of romantic attention, because I find that his concerns and his thought process make complete sense for his character. When given time to dwell on the idea, he imagines a simultaneous arrival of all four at his doorstep, like a scene straight out of Infinite Stratos, because anime and manga are his primary “harem” imagery even more than just straight up pornography. When Madarame hesitates in choosing, his explanation is that it is such an unfathomable situation because he expected attracting even one member of the opposite sex to be a miracle, and given his self-image his words rings with the familiarity of truth. At the same time, I don’t think he’s being entirely honest because if he was really okay with any girl, he would have had some wild times with Angela (who’s gone back to America) already.
In Madarame’s situation I think we can see both the exploration of the otaku or geek mind when it comes to romance, as well as an investigation of the harem genre. Madarame’s attitude towards women is initially a kind of passive desperation, a case of “anyone will do” because just that prospect of romance is so out of reach based on his self-image. When given a choice, however, his mind has to adjust because desperation is no longer the driving force because now he has to take the others into account, as well as what he really wants. Obviously he doesn’t really want a harem ending or just sex based on his actions (or more accurately inaction), and I think he’s realizing that there’s more to consider about a love life than just whoever says “yes” first.
If you’re having trouble relating to Madarame, imagine that it’s about being unemployed (which Madarame is!) rather than about romance. In a situation where someone is unemployed for ages, there’s an increasing desperation for finding a new job, to the point that eventually anything will do. Then, one day a bunch of job offers appear and they’re all actually good jobs. Instead of it being about getting paid, there are now a bunch of new variables to consider. Which job pays the best? Which job seems the most enjoyble? Which one is best for long-term planning? Which one is a once-in-a-lifetime opportunity? If not unemployment, then college also works. Which is the best school? Which is the most affordable or convenient? Which has the subject you want to study the most? There’s a lot more to think about, and of course it’s literally impossible to choose all of them.
All of this puts the typical harem or pseudo-harem anime complaints into a different light. You might hear people say, “Why is the harem lead such a wuss? If I were him, I’d have a go with everyone.” Although many harem leads are generic and neutral characters and that lends itself to that ambiguity, I think generally harem series deep down operate under a moralistic frame which some see as over-valuing virginity or passivity, but which I find to be about not being able to fully escape a sense of empathy (this is why fans tend to have a “favorite pairing”). In order to maintain the fantasy in harem series this aspect typically isn’t terribly prominent, but with the greater realism of Genshiken it comes more to the forefront.
The rest of the chapter reinforces this feeling as well. When the guys are huddled in Madarame’s apartment reading doujinshi, Kugayama brings up the idea that even most otaku who are all into the 2-D girls and such aren’t actually against being with real women, which references an older conversation back in the earliest days of Genshiken when Saki asked about this same topic. Being between all otaku men who are aware of this, however, the conversation becomes more about that otaku image in flux. The battle lines drawn a few chapters ago between virgins and non-virgins comes up again here, as Tanaka with his steady relationship and Madarame with his new circumstances seem to flutter beyond the horizon where otaku are not supposed to reach and yet clearly have. Genshiken has become about how the concept of otaku is in flux, but we rarely get to see it from the older generation’s perspective, so I appreciate this.
Although the chapter is mainly about Madarame, it’s also a Yoshitake chapter in that she’s very prominent in the latter half of the chapter. Yoshitake’s nerdish vibrance is on full display here, whether that’s obscure history references, her now-familiar knowing glances at Yajima, or the fact that at the end of the day she’s still that girl who ignored the opposite sex in favor of debating history from a fujoshi perspective with her friends in high school. Her reaction towards Madarame’s decision and assuming he really wants a harem is maybe the highlight of the chapter as her head tilts all the way back in shock. This chapter also made me realize how differently Kio uses Yoshitake’s glasses compared to, say, Madarame, as their variable transparency helps to give Yoshitake that sense of energy and slyness.
I sometimes see people complain that Genshiken spends too much time on Hato and not enough on Yoshitake and Yajima. While I think it’s a valid criticism for the most part, I find that one of the reasons this is an issue is because even though the other two don’t get as much focus they’re still portrayed extremely well in their moments and interactions. For example, one of the most significant parts of Yoshitake’s advice is strongly hinted at in this chapter, which is that she’s watching out for her friends in suggesting Keiko as the right choice for Madarame, as she doesn’t want to hurt Yajima. Moments like these make you want to learn more about them, because if they were boring or uninteresting no one would care. Nobody ever asks about Kuchiki’s backstory, after all.
As for Yoshitake’s recommendation, I know there have always been fans of Madarame and Keiko, even going back to the days when the original Genshiken series hadn’t even finished and there was no real inkling towards this pairing. I gave my thoughts on this pairing previously, but Yoshitake’s logic that Keiko is the most like Saki in that she’s able to talk candidly is pretty interesting, especially because from what little we’ve seen of Keiko’s love life (in that she has one at all), her communication with her boyfriend at the time was pretty poor in comparison to how she talks with “Watanabe.” Madarame’s mental mix-up of Keiko and Saki aso makes me think that it may not only be a matter of personality but that she also resembles Saki in the way Keiko carries herself. If that’s the case, I wonder if this is simply down to “similarity” or if Keiko is supposed to be someone who’s actually emulating Saki. Kio’s mention of his other ongoing series in the side bar then makes me wonder if indeed Keiko x Mada is the Real Spotted Flowers.
As for Hato, he strikes an impressive figure at the end of the chapter as he works to shovel the snow off of his family home’s rooftop. There’s something about him exuding such a “masculine” aura that feels unfamiliar due to the fact that most of the time the manga shows him as crossdressing. Hato’s interactions with his brother and Kaminaga will be the focus of the next chapter. We see that Kaminaga’s changed her hairstyle, and I wonder if it has anything to do with finding out that Hato basically has a wig matching hers.
In all honesty though, what I really want to see is the other visit home mentioned this chapter, which is that Sue has accompanied Ogiue back to (I assume) her hometown in Yamagata. Not only is there something potentially wonderful about Sue interacting with Ogiue’s family, but we’ve never actually seen Ogiue’s relatives at all. The best we’ve gotten is that Ogiue once mentioned having a little brother, but it was part of a hasty explanation after being outed as a fujoshi, so we don’t even know if this little brother actually exists.
I hope we find out.
NIS America announced last month that they have the rights to the Genshiken Second Season anime, and knowing their history of putting out deluxe box sets that are a little pricier but come with all sorts of doodads (an art book being the main one), anyone who’s a Genshiken fan would be satisfied with their Bluray release (though we don’t know what’s there yet).
The question is, would you be satisfied enough?
For the Japanese release of Genshiken Second Season, there is a special deal: If you preorder all 4 Bluray volumes before September 1st from one of three specific stores, you will get a 12-page illustration booklet AND a color print by Kio Shimoku. Order from Animate for Double Hato, Gamers for Yoshitake and Yajima, and finally Toranoana for Ogiue and Sue.
This is in addition to existing extras, which at least for Volume 1 include a 16-page illustration booklet and an animated extra entitled “The First Meeting to Discuss How a Girl This Cute Can’t Possibly Be a Girl,” as well as a “Post-Clubroom Rambling Discussion.” Whether that’s another animated feature or voice-only, I don’t know.
The only thing is, if you opt into one of these deals, you’re looking at roughly 30,000 yen for 13 episodes. Also keep in mind that a lot of these stores don’t ship internationally so you’ll have to find a way around that, which can cost you even more. You can get them cheaper through Amazon JP but then of course you wouldn’t get the extra extras.
I’ve pre-ordered the Blurays because I am an idiot. As you may have guessed, I went for the Toranoana version. I did not decide to get all three sets of Blurays because even I’m not that insane.
Honestly, unless you’re me, you’re probably better off sticking with the NIS America release as I’m pretty confident it’ll look good. The Japanese Blurays are a realm beyond, for those looking to collect every bit of Ogiue merchandise they can (there’s not a lot, you know).
Actually I’m going to buy the NIS America release as well.