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It’s finally Angela’s turn to spend some alone time with Madarame in Chapter 114. Looking as if she’s going to do something wildly inappropriate, especially for a shrine, but in fact it doesn’t amount to anything more than hand-holding and longing stares. However, what would normally be considered fairly chaste interactions are in fact evidence of Angela’s absolutely diabolical nature when it comes to winning a man. At the same time, Keiko and Yajima are on their own, but to describe them as oil and water is to not quite do their dynamic justice. Keiko quickly realizes that Yajima likes Hato, and wonders how she can use that information.
When I first saw Yajima start to talk about how much she disliked Hato’s crossdressing to Keiko, my only thought was, “Yajima!!! Don’t do it!!! You don’t know what you’re getting into!” Yajima is too much of an open book and Keiko is already extremely perceptive as it is, so it’s no wonder Keiko figured it out rather quickly. With this knowledge, one has to wonder if Keiko will try to pair the two together, somewhat like Yoshitake, except for her own ulterior motives as opposed to maintaining overall harmony as Yoshitake desires. Though, Keiko and Yoshitake cooperating sounds rather frightening, and I look forward to possibly seeing more.
That brings us to the main feature of Chapter 114: Angela and how she has basically done her research. In the past, she mentioned that what she wants most is for Madarame to fantasize about her on those lonely nights, because doing so will conflate lust with love in Madarame’s virgin otaku mind, and will make Angela that much more desirable to him. In her last attempt, she took an extremely aggressive approach, basically attempting to throw Madarame off the diving board when he had never stepped into the kiddie pool. This time, rather than trying to get Madarame to touch her breast, she directs his hand towards her face, and thus encourages him to stare into her eyes as she gives a warm, inviting smile. However, because of the close call last time, perhaps because of everything Madarame’s been through since they last met, and because Angela decided to wear an extremely bold and unrealistic outfit that accentuates her superior figure compared to the others (generally speaking), she is letting Madarame’s imagination do the work. Angela is essentially taking advantage of the otaku mindset to water the seeds of wild and uncontrollable urge she had originally planted in Madarame’s head way back.
Otaku, especially the typical kind of Madarame’s generation, are confronted with two images of romantic love interests in anime, manga, and games. The first is the sweet and innocent childhood friend, the pure girl who’s all about long walks and blushing profusely. The second is the highly physically attractive type who somehow doesn’t realize that she’s the center of attention when it comes to guys. A lot of times, these two characters overlap (you can even argue that Ohno starts off as this type), and Angela is actively playing both roles. She’s the sexual dream who’s also now shown her “maiden” side, and Madarame is encouraged to connect fantasy A with fantasy B. Probably any guy given this information would have a similar reaction, but because Madarame is who he is, it’s 10x more intense. In a way I feel like Angela’s actions directly confront what an otaku is, or was supposed to be.
It’s also telling that Angela immediately gives Kuchiki the cold shoulder. She isn’t “easy,” but rather just knows what she wants.
The last thing I want to talk about this chapter is, of course, Ogiue. Though she’s not the spotlight of this chapter in any way, she does have an interesting moment with Yoshitake. As Yoshitake falls into tour guide mode, she claims that it’s just her and Ogiue spending time alone together. In order to emphasize this, Yoshitake whispers sweet nothings in Ogiue’s ear, and by sweet nothings I mean history trivia that would directly appeal to Ogiue’s fujoshi side.
We’ve seen Ogiue blush in many different ways, but I don’t think it’s ever quite been like this.
Ogiue Maniax is returning to Otakon in Baltimore this year to cover the biggest anime convention on the east coast and to have some fun. My schedule isn’t set it stone, so there’s probably not much point in saying where I maybe might sort of be, but there’s one place you’ll definitely be able to find me:
GREAT UGLY MANGA
10:15-11:15am, Panel 3
Some manga are praised for how gorgeous they look, while others are beloved in spite of their drawings, but what about those manga that are made BETTER by the awfulness of their artwork? Join Carl from the Ogiue Maniax blog and Ed Chavez as we look at some of the best and most entertaining ugly manga out there, and see why there’s no irony when we say that these manga are great.
This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to be a patron of Ogiue Maniax, check out my Patreon.
This month I received the following topic request:
“Keeping interest in your hobbies through the trials of life.”
I wonder if it’s more than coincidence that I would get this at a point where life is busier than it’s ever been. I used to think I understood what being busy meant, and that keeping up with your hobbies is simply a matter of carving out time, like watching shows during mealtime, or playing a game or reading a manga while commuting. That still applies to some degree, but I realize now that sometimes it’s not possible to carve out bits and pieces of time if your spirit isn’t up to it.
Everyone’s day is a bit different, and if the issue is being too busy for your hobbies, the first question that I think needs to be asked is, does your hobby help you mentally/emotionally? What I mean is, when you’re done working through the day or week, whether that’s at a job or in school or taking care of your family, does watching anime, playing games, etc. make you feel better or worse? I don’t mean this is a narrow way either, like the way “healing anime” is meant to provide stress relief, though there’s nothing wrong with that genre. Rather, there are many different ways that your hobbies might motivate you.
Maybe you want to constantly refine your tastes and experience the best of the best. Maybe you need a good laugh. Maybe you see it as an opportunity to bond with friends. Whatever the case may be, it shouldn’t feel like a burden more than anything else. Even if it’s “work” to keep up, there should be some level of satisfaction associated with it. If you have a completionist mentality, then make sure it provides you more joy than disdain, and if you’re the type who enjoys watching shows you hate so you can make fun of them, at least make sure that it provides energy and doesn’t drain you, whether you see it as a form of stress relief or because you believe you have some responsibility to tell others to avoid bad things.
It might also be possible that you’re so busy that you can barely do one thing, and you feel terrible for not being able to keep up with as much as you like. Not being able to watch or play as much as you’d like is why you’re losing energy and motivation. In that case, I think it’s still useful to prioritize in the way I mentioned above, but to think of your lack of time as an inspiration. Look at all of the things you haven’t done or watched or played, and how satisfying it’ll be when you get to it. If it turns out that it’s not so fun after all, maybe put it on the back burner or drop it entirely if that’s your style. Sometimes not finishing something doesn’t mean you didn’t love it enough, it just means you didn’t finish it. That’s all.
The reason why I’ve spent so much time emphasizing this idea of getting energy from your hobbies is that, if you don’t at least prioritize the hobbies that actually drive you forward or give you strength, then the busy days will feel even longer and busier. The problem of not having enough time to follow all of your hobbies isn’t quite the same issue as the problem of burnout, but they are similar in that they can make the day feel longer, and in fact the former can become the latter if those “hobbies” drain your strength. Again, strength in this context can mean many things, and how you define that is a personal matter.
Alias: Best Friend (親友)
Relationship Status: Polyamorous Dating/Complicated
A girl who regularly discusses her very active sex life with her female friend, she is also secretly in love with her as well. In spite of the fact that her good friend is already in a relationship with a man, this girl begins to date her own friend as well.
A self-proclaimed fujoshi and shotacon, she believes that there is little difference between otaku and fujoshi in the end because it all comes down to attraction to 2-D.
Hi Score Girl is the story of a beautiful romance where a young gamer who meets a girl who’s even better at Street Fighter II than he is. Though antagonistic at first, they begin to develop a friendship, and eventually something more. If you ever get the chance to read it, I recommend checking it out, as does my good friend Dave of Kawaiikochans fame. It’s a shame that the anime adaptation (and a lot of other things) got cut down at the knees due to SNK arguing copyright shenanigans.
I noticed a few things about the girl in the story. First, she has long, thick black hair. Second, when she plays Street Fighter II, she picks mainly big, bald, and/or burly characters: Zangief, Dhalsim, E. Honda. In fact, when she plays Final Fight, she selects Haggar. Third, her name is Ohno.
I don’t know if it’s just a coincidence or what, but I’m looking forward to the possibility that one Ohno might cosplay as the other. Also, now that I think about it, the Ohno in Hi Score Girl is more like a cross between Ohno and Sue, given her violent and eccentric temperament.
Over the past month, Ogiue Maniax finally hit the $100 mark on Patreon. I think that’s a pretty great milestone, and I’m thankful to everyone who’s helped out. I would consider this one of the more important events as of late, except that I actually also recently received my PhD and that kind of trumps everything else. Looking back, my academic achievement is a direct extension of a route that began with Ogiue Maniax all those years ago, and having my writing be appreciated on multiple levels fills me with a sense of wonderful pride (that’s also fleeting because I’m kind of self-doubting).
This month’s special Patreon sponsors are:
Both Patreon-sponsored posts this month had interesting topics, I think. Touhou, Kantai Collection, and the Idea of the Controlled Fandom Experience is a post that came out of a request to talk about Touhou in general, but because Touhou is in such a different place compared to where it really began to make a mark in the English-speaking fandom, and because there’s so much competition in the mental space of otaku, I had to make it about Kantai Collection as well. For the other one, Miyamoto Ariana, “Japanese-ness,” and Black Cosplay, I’m not someone who normally thinks about beauty competitions or even cosplay, but the achievement by Miyamoto I think inevitably ties to a lot of ideas about identity and identity politics that even extends to the cosplay community.
This past month I also went and replaced my old Patreon milestone, the internet meme post, with a new challenge. At $150 I will now write a genuinely negative review of Genshiken, focusing mainly on its flaws (and not fake mascots ever). As my favorite manga ever, and because I tend to be positive overall with the blog, I see this as a challenge for myself. If you’re interested in seeing me squirm, this is your chance.
I still want to think about the whole Skype conversation reward, but it’s more a time concern than anything else at this point. I also am not sure how valuable talking to me actually is. Maybe once I get myself a silky smooth baritone voice, I can bump it up something fierce.
In a recent chapter of UQ Holder!, the main character Konoe Touta gets a lesson in how to mask one of his greatest weaknesses. To make a point, his teacher mentions a certain famous mahjong player who suffered from narcolepsy. That player is actually Kojima Takeo, the most well-known mahjong expert in Japan.
Nicknamed “Mr. Mahjong,” Kojima has been active for decades and even still plays today. Last year, he attended the World Riichi Championship in France along with his fellow players from the Japan Professional Mahjong League.
You can see him in action in this video:
And here he is showing you how to cheat at mahjong:
The previous chapter of Genshiken ended with most of the characters pairing off in unexpected ways (none of them romantic), setting up the anticipation that there would be some intriguing interactions that go outside of the normal range that Genshiken has been using as of late. In this regard, Chapter 113 is far from being a disappointment.
After Yoshitake finally reins in her history otaku nature and ceases to be a tour guide through the shrines of Nikkou, all of the groups do their own special thing. For this reason, for this month’s review I think it’s worth talking about each notable pair on their own.
Madarame and Yoshitake
In a lot of harem manga, the characters that act as if they’re stringing the main character along through feigned expressions of affection often fall into the category of the harem as well. Because they show the possibility, they’re part of the fantasy too, even if they’re supposed to be tongue in cheek. Not so with Yoshitake. She drags Madarame away not only to spark the fire among the characters who actually are interested in Madarame, but also slyly manipulates Madarame as well by making it seem as if she’s also into him. Perhaps I’m reading too much into it, but the reaction on Madarame’s face seems less like surprise and more like, “Oh no, not again,” which when you think about it is a far cry from where he was originally in Genshiken.
Yajima and Kuchiki
Kuchiki wants what Madarame has but he’ll never get it because it’s hard to imagine too many girls who would like Kuchiki’s personality (then again he did have a girlfriend once upon a time). At the same time, their mildly venomous conversation has a lot of grains of truth being sifted. Kuchiki mentions the appeal of the girl-boy, which is that you have the physical attraction of a female without the seeming mystery of trying to figure out how they think and feel. This actually isn’t far off from what I’ve read about the appeal of certain, shall we say, “alternative” forms of adult entertainment in anime and manga, and it even reflects something I’ve seen before in an old Ann Landers/Dear Abby, which had to do with a wife questioning if her husband was gay. Long story short, that aspect of being able to directly understand the feelings of another, whether that’s more spiritual or more physical, is something that’s understandable when you think about it. As for Kuchiki almost figuring out Yajima’s feelings for Hato, that probably has less to do with Kuchiki being perceptive and more that Yajima is often an open book (see her first meeting with Yoshitake’s “brother”).
Hato and Keiko
It’s been established that the two don’t really get along, and this chapter I think really shows the foundation of why that’s the case. Essentially, both Hato and Keiko believe that the other is somehow manipulating Madarame. Hato believes Keiko is just stringing him along, while Keiko sees Hato’s personality as an ideal construct, pleasing but artificial. Together, they both open up to each other in an antagonistic manner, giving details as to what transpired in each of their respective close encounters with Madarame. Now they both know the approximate truth, and while it can’t be said that Madarame is a two-timer, I do think Hato and Keiko have bonded in a rather bizarre yet understandable manner. That said, I think their lowered opinion of him comes from somewhat different places; with Hato it’s because of how easily Madarame was enticed, and Keiko because it connects to the whole thing about Madarame being happy about Hato’s chocolates.
I think there’s something to be said about the way that the characters of Genshiken try to exert their wills in this chapter. Yoshitake temporarily dons the role of a fawning admirer to mess with Madarame, Keiko intentionally withholds the fact that Kugayama was at her club too to make Hato think that Madarame came of his own accord, and Hato throws the events of the previous night in Keiko’s face. Nowhere is this clearer than with the fact that Angela’s time has arrived, and she’s come prepared for bear, so to speak. As soon as she finds out she’s pairing with Madarame, out come her noble familiars, barely constrained and ready to serve their master.
I’m not sure if it’s clear from my previous posts, but I love the idea of Madarame and Angela, if only because to me it’s the most hilarious. This chapter begins to prove why that’s the case, even if she probably has the slimmest chance out of the four. Will next month be the most fanservicey chapter of Genshiken ever?
Speaking of Angela and Madarame, or rather the renewed kujibiki drawing, I do find it interesting that Yoshitake’s plan to see the temple Youmeimon, the culmination of her trip to Nikkou, is derailed by construction much in the same way that her original plan to mix the group up into new and exciting pairings also backfired in terms of its original intent. It makes me wonder if this second lottery is going to also be reflected in Yoshitake somehow encountering an even more amazing sight.
Last thing of note: as seen in the first image in this post, this chapter clearly used photo references for its color pages that lend a greater amount of realism to the backgrounds, to the extent that it feels like the chapter is actually promoting tourism for Nikkou. I don’t think that’s actually the case, but Genshiken rarely goes for that look.
Alias: Big Sister (姉)
Relationship Status: Polyamorous Dating/Complicated
The older sister of a certain video game-obsessed high school boy with a mildly sadistic girlfriend, this girl spends much of her time in idle conversations with her female best friend about their sex lives and relationship issues with their respective boyfriends. However, this older sister eventually enters a relationship with not only her boyfriend but also her best friend as well.
Other than that she is less extreme compared to her best friend, nothing specific is known about the kind of fujoshi she is.
Name: Kurihara, Hibari (栗原火雀)
Relationship Status: Single
Origin: Fate kaleid/liner PRISMA☆ILLYA
A doujinshi artist and high-level fujoshi, Kurihara Hibari’s sister Suzuka is also into BL. At one point while working on a doujinshi for Comic Marché, she runs short on ideas until Suzuka “convinces” her classmate Mimi into contributing her own secret BL fantasy.
Hibari is very confident about being a fujoshi. At one point, when Mimi begins to worry about how her newly developed fujoshi mindset might affect her friendships, Hibari tells her that any friend who can’t accept someone’s hobby is no friend at all.
Kurihara Hibari has reached the level of “kifujin,” which is described as being beyond a mere fujoshi. As evidence of this, she listens to BL Drama CDs on her speakers, implying that she cares little as to who hears them.