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In a recent chapter of UQ Holder!, the main character Konoe Touta gets a lesson in how to mask one of his greatest weaknesses. To make a point, his teacher mentions a certain famous mahjong player who suffered from narcolepsy. That player is actually Kojima Takeo, the most well-known mahjong expert in Japan.
Nicknamed “Mr. Mahjong,” Kojima has been active for decades and even still plays today. Last year, he attended the World Riichi Championship in France along with his fellow players from the Japan Professional Mahjong League.
You can see him in action in this video:
And here he is showing you how to cheat at mahjong:
The previous chapter of Genshiken ended with most of the characters pairing off in unexpected ways (none of them romantic), setting up the anticipation that there would be some intriguing interactions that go outside of the normal range that Genshiken has been using as of late. In this regard, Chapter 113 is far from being a disappointment.
After Yoshitake finally reins in her history otaku nature and ceases to be a tour guide through the shrines of Nikkou, all of the groups do their own special thing. For this reason, for this month’s review I think it’s worth talking about each notable pair on their own.
Madarame and Yoshitake
In a lot of harem manga, the characters that act as if they’re stringing the main character along through feigned expressions of affection often fall into the category of the harem as well. Because they show the possibility, they’re part of the fantasy too, even if they’re supposed to be tongue in cheek. Not so with Yoshitake. She drags Madarame away not only to spark the fire among the characters who actually are interested in Madarame, but also slyly manipulates Madarame as well by making it seem as if she’s also into him. Perhaps I’m reading too much into it, but the reaction on Madarame’s face seems less like surprise and more like, “Oh no, not again,” which when you think about it is a far cry from where he was originally in Genshiken.
Yajima and Kuchiki
Kuchiki wants what Madarame has but he’ll never get it because it’s hard to imagine too many girls who would like Kuchiki’s personality (then again he did have a girlfriend once upon a time). At the same time, their mildly venomous conversation has a lot of grains of truth being sifted. Kuchiki mentions the appeal of the girl-boy, which is that you have the physical attraction of a female without the seeming mystery of trying to figure out how they think and feel. This actually isn’t far off from what I’ve read about the appeal of certain, shall we say, “alternative” forms of adult entertainment in anime and manga, and it even reflects something I’ve seen before in an old Ann Landers/Dear Abby, which had to do with a wife questioning if her husband was gay. Long story short, that aspect of being able to directly understand the feelings of another, whether that’s more spiritual or more physical, is something that’s understandable when you think about it. As for Kuchiki almost figuring out Yajima’s feelings for Hato, that probably has less to do with Kuchiki being perceptive and more that Yajima is often an open book (see her first meeting with Yoshitake’s “brother”).
Hato and Keiko
It’s been established that the two don’t really get along, and this chapter I think really shows the foundation of why that’s the case. Essentially, both Hato and Keiko believe that the other is somehow manipulating Madarame. Hato believes Keiko is just stringing him along, while Keiko sees Hato’s personality as an ideal construct, pleasing but artificial. Together, they both open up to each other in an antagonistic manner, giving details as to what transpired in each of their respective close encounters with Madarame. Now they both know the approximate truth, and while it can’t be said that Madarame is a two-timer, I do think Hato and Keiko have bonded in a rather bizarre yet understandable manner. That said, I think their lowered opinion of him comes from somewhat different places; with Hato it’s because of how easily Madarame was enticed, and Keiko because it connects to the whole thing about Madarame being happy about Hato’s chocolates.
I think there’s something to be said about the way that the characters of Genshiken try to exert their wills in this chapter. Yoshitake temporarily dons the role of a fawning admirer to mess with Madarame, Keiko intentionally withholds the fact that Kugayama was at her club too to make Hato think that Madarame came of his own accord, and Hato throws the events of the previous night in Keiko’s face. Nowhere is this clearer than with the fact that Angela’s time has arrived, and she’s come prepared for bear, so to speak. As soon as she finds out she’s pairing with Madarame, out come her noble familiars, barely constrained and ready to serve their master.
I’m not sure if it’s clear from my previous posts, but I love the idea of Madarame and Angela, if only because to me it’s the most hilarious. This chapter begins to prove why that’s the case, even if she probably has the slimmest chance out of the four. Will next month be the most fanservicey chapter of Genshiken ever?
Speaking of Angela and Madarame, or rather the renewed kujibiki drawing, I do find it interesting that Yoshitake’s plan to see the temple Youmeimon, the culmination of her trip to Nikkou, is derailed by construction much in the same way that her original plan to mix the group up into new and exciting pairings also backfired in terms of its original intent. It makes me wonder if this second lottery is going to also be reflected in Yoshitake somehow encountering an even more amazing sight.
Last thing of note: as seen in the first image in this post, this chapter clearly used photo references for its color pages that lend a greater amount of realism to the backgrounds, to the extent that it feels like the chapter is actually promoting tourism for Nikkou. I don’t think that’s actually the case, but Genshiken rarely goes for that look.
Alias: Big Sister (姉)
Relationship Status: Polyamorous Dating/Complicated
The older sister of a certain video game-obsessed high school boy with a mildly sadistic girlfriend, this girl spends much of her time in idle conversations with her female best friend about their sex lives and relationship issues with their respective boyfriends. However, this older sister eventually enters a relationship with not only her boyfriend but also her best friend as well.
Other than that she is less extreme compared to her best friend, nothing specific is known about the kind of fujoshi she is.
Name: Kurihara, Hibari (栗原火雀)
Relationship Status: Single
Origin: Fate kaleid/liner PRISMA☆ILLYA
A doujinshi artist and high-level fujoshi, Kurihara Hibari’s sister Suzuka is also into BL. At one point while working on a doujinshi for Comic Marché, she runs short on ideas until Suzuka “convinces” her classmate Mimi into contributing her own secret BL fantasy.
Hibari is very confident about being a fujoshi. At one point, when Mimi begins to worry about how her newly developed fujoshi mindset might affect her friendships, Hibari tells her that any friend who can’t accept someone’s hobby is no friend at all.
Kurihara Hibari has reached the level of “kifujin,” which is described as being beyond a mere fujoshi. As evidence of this, she listens to BL Drama CDs on her speakers, implying that she cares little as to who hears them.
The parody manga Fist of the North Star: Strawberry Flavor, starring everyone’s favorite child slave labor, thronercycle-riding holy emperor Souther, is getting an anime.
I’ve written a post over at Waku Waku +NYC about how the anime has the best URL ever: http://www.hikanukobinukaeriminuteiounitousouhanainodaaaaa.com/
Six years ago, I attended my very first AnimeNext and had a hell of an experience. Six years later I returned to the Somerset, NJ convention, only to find out that it’s the very last AnimeNext before it moves to Atlantic City in 2016. I feel glad that I could see it one last time before the big move!
AnimeNext in 2009 was well-populated, but it’s amazing how much it’s grown since then. Last time I went, I stayed at the Somerset Bridgewater Hotel in order to be close to the convention. This time around, it was part of the convention. As expressed to me by both my friends with whom I traveled and by AnimeNext staff, the convention had simply outgrown its space, necessitating the move to a more spacious location. Thankfully, aside from a terribly hot and humid first day, the weather was surprisingly manageable, which made the outdoor space between the three locations (Bridgewater, Double Tree, Garden State Exhibit Center) a nice reprieve between events.
This year I helped out Waku Waku +NYC, an upcoming New York anime con this August 29-30, which made it so that I couldn’t attend quite as many panels and events as I normally would. However, the ones I did see where all quite interesting. The Penguindrum panel by the Reverse Thieves showed how the train imagery of the series incorporated both classic Japanese children’s literature and traumatic real world events. Land of Obscusion‘s “Greatest Anime We Never Got” told fans to find Sexy Commando, which I’m all for. The FLOW concert was fantastic, and I found myself singing along to the first Eureka Seven opening, even though I swore I didn’t know the lyrics. I even got them to autograph my anime DVD box set, alongside the Satou Dai signature I obtained back in 2009, not long after I attended AnimeNext.
Speaking of autographs, the highlight of the convention had to be Studio Trigger, creators of Inferno Cop, Ninja Slayer, and Kill la Kill. I had heard how fantastic they were as guests last year, and so I had to speak with them. In addition to getting their autographs (Koyama Shigeto’s on Eureka Seven with a little Nirvash Spec3 sketch), most of the rest of the staff’s on Panty & Stocking with Garterbelt, I also joined in on their press conference and attended their 2-hour panel on Saturday evening. One thing that was clear from the press conference and the autograph session was that the people at trigger loved Panty & Stocking and sincerely wish they could make more.
The press conference itself was brief but amazing. At one point, Koyama introduced himself in Japanese as the designer on Inferno Cop, to which the translator “assisted” him by interpreting his line as “designer on Big Hero 6” (which is true). They explained how Inferno Cop actually came out of a commission by Google of all things, which is made all the more surprising by how much money Google is known to have and how little money and effort was placed into Inferno Cop. This isn’t a knock at Trigger, as they themselves mentioned that they set a rule that they could only spend two hours a week on Inferno Cop, which, according to Koyama again is a very original series about a hero of justice with a flaming skull that is 100% original in every original way, really and truly. They also mentioned how their original idea was the story of an ordinary guy in a superhero academy, which they would’ve called Superson, except that it was a “crappy anime,” in their words.
As a final question at the press conference, I asked Studio Trigger about one of their more obscure works, Turning Girls, or more specifically how it came to be. The story of its creation turns out to be one of the greatest tales ever brought forth by humankind.
Turning Girls, which is named so because it’s about girls who are about to turn 30 and have hit a transitional point in their lives, is created and produced by the non-animator female staff of Studo Trigger. Essentially, they wanted to see how people with no experience in animation would make an anime. Though the series did not attract much of an audience abroad, the sponsor who asked them to do it in the first place keeps asking for more, against their expectations. During the Q&A session at their panel, I casually commented that they should produce more Turning Girls as well, to which they responded with “NO” in English. Also, it’s important to note that all of the girls are apparently based on the staff members themselves, and that one of them indeed carries shades of Kaerun, the highly abrasive aspiring idol from Turning Girls.
If there’s one major highlight of the entirety of AnimeNext, however, it has to be the return of Inferno Cop. This wasn’t just any episode of Inferno Cop, though. It was, in fact, an Inferno Cop x Little Witch Academia crossover. Sucy Manbavaran made an appearance in the episode while drawn (and voiced!) in the signature Inferno Cop style. While they showed a number of animated shorts created by the staff, this had to take the cake.
I ran two panels at AnimeNext alongside my friend Alain from the Reverse Thieves. These were “Precure Party” and “Giant Robot Romance: Boy Meets Girl Meets Mecha.” The first covered the history of the immensely successful Precure franchise, which we might rename if we ever bring it back to make sure that people know that Precure is a mahou shoujo series. The second was about giant robot anime that focused heavily on romance and romantic relationships, taking us through a strange path from Toushou Daimos all the way to today.
If you attended either panel, thank you. The turn-out was somewhat small though I suspect that the inconvenience of getting to the Somerset Bridgewater where the panels were both held played a role. I definitely enjoyed running the panels, including the extra time we had to show fun clips for the audience at the end of the robot panel. I feel glad to be able to talk about two of my great loves, magical girls and giant robots, all in the same weekend.
Aside from the location issues, which AnimeNext has been well aware of for years now, my only real complaint was that often the staff and volunteers weren’t much help. This isn’t painting all of the volunteers with the same brush, but on multiple occasions I had asked questions (best way to get to a location, where to line up for FLOW autographs), only to receive the response of “I don’t know.” Sometimes it was “I don’t know, let me check,” only for the volunteer to disappear into the aether never to return. Of course, a volunteer is a non-paid position, and I’m sure many of them were new, but after the 5th time it started to grate on my nerves. We all have to start somewhere, though!
As my friends last year came back from AnimeNext, all I heard about was the gloriousness of the hot dogs at Destination Dogs. Seeing as AnimeNext was leaving the area after this year, it was a must-try place for me. I ordered the Boston (beef frank, baked beans, cole slaw), the Swede-Dreams (bratwurst, mashed potatoes, gravy), and the Charles Dog Gaulle (duck sausage, duck confit, foie gras). It’s tough for me to decide which one I like more, the Swedish dog or the French one, but the redundant duck action and the delicious yet controversial foie gras (which I had for the first time!) makes the latter feel more special. Will there be an adequate replacement for Destination Dogs in Atlantic City, or will we be doomed to always pine after it?
I usually leave cosplay for last in these con reports just so I can segue into a large cosplay image dump, but this time around I think it’s important. For one thing, this is literally the first time I’ve seen Precure cosplay on the East Coast! For a series that is over 11 years old and outperforms things like Sailor Moon, it is a shock that more people don’t know Precure. That’s why we threw the panel.
Other big trends were Kill la Kill, due in no small part to the presence of Studio Trigger, and Love Live! As a fan of the Love Lives, it was a pleasant surprise to see so many μ’s copsplayers around. Quite intelligently, many of them wore summer-centric costumes to fight the heat. The most popular by far was Kotori, followed by Nico. Sadly there was only one Hanayo cosplayer I could find, but I’m grateful that she had the wisdom and unbeatable sense of taste to pick the best one.
So, see you in Atlantic City?
I wrote a post about my favorite anime and manga characters from New York City. You’ll notice that many of them are orphans or something like that.
Name: Katsura, Mimi (桂美々)
Relationship Status: Single
Origin: Fate kaleid/liner PRISMA☆ILLYA
A quiet girl with little presence, Katsura Mimi is a friend and elementary school classmate of Illyasviel “Illya” von Einzbern and Miyu Edelfelt at Homurahara Academy. At one point she discovers Illya kissing her cousin Kuro (actually a magical doppelganger), which puts her on a path towards writing erotic fantasies in her notebook, both yuri and yaoi. Though Illya, Kuro, and Miyu are all magical, Mimi is unaware of this.
Mimi gets roped into the world of doujinshi when her friend Kurihara Suzuka takes her hidden fantasy writings and uses them for her sister’s doujinshi at Comic Marché. After that, Mimi begins to see the world almost purely in terms of same-sex relationships.
In addition to managing to exceed her friend Suzuka in terms of fujocity, Mimi states that she simply believes boys should be with boys and girls should be with girls.
A lot of things have happened over the past month at (or around) Ogiue Maniax. Observant folks might have noticed that I’ve started linking to other posts on this blog. That’s because I’ve started contributing to the social media for an upcoming convention in New York City, Waku Waku +NYC, and this includes writing blog posts for them. I hope you enjoy the extra material, as while they’re not quite the same as what I’d normally write for Ogiue Maniax, they’re still intended to be fun, informative, and promote discussion.
However, if you look at the actual Patreon page, I don’t include those extra blog posts in my creations, as I believe it’s not quite fair to bolster my numbers like that when it’s all content supported by another organization not explicitly for Ogiue Maniax. Readers, do you agree, or would you rather see everything I make go on there?
This month’s special sponsors are:
May was actually the first month where I wrote two sponsored posts:
I definitely enjoyed writing them, and they got me to look more into topics I’ve had only passing familiarity with, and if you like what you see, why not consider becoming a sponsor? At $30 a month you can request topics as well.
I’m also still putting consideration into a new sponsor level, which is to have Skype conversations with me every week, and a milestone, which will involve me writing a negative review of Genshiken just for fun. The goal would not be to exaggerate, but to fairly state the flaws of my favorite series. What do you think? Would that be fun?
After the bomb drop that was last month’s Genshiken, Chapter 112 winds things down a bit, only to then create anticipation for next month. In a way, it’s a much needed break, but the fact that it ends by mixing up the formula a bit basically makes me want to read the next chapter already.
As Yoshitake nerds out about the history of Nikkou and its connections to Japan’s past (something I don’t specialize in but would totally make an interesting post by someone other than me), they remember Hato’s return the previous night. While a lot of the girls are suspicious about what happened, especially Keiko, Hato quietly resigns for the evening, and Yoshitake turns out to be the kind of snorer you can’t ignore. Yoshitake then proposes an idea: draw straws (“kujibiki” in this case), and randomly pair off. While the hope to further some romances looms about, the gods of probability crush almost all hope of that happening.
I’ve never been a part of Hetalia fandom, but I’m aware that it’s encouraged a lot of girls (and even a few guys) to study history more extensively. In that respect, I wonder if Hetalia fans feel a significant connection to Yoshitake, even if Hato is the one who’s explicitly stated that he’s into that series. Speaking of Yoshitake, I’m always impressed by the translators who bother to work through all of her text. The way it’s hand-written, and appears as if it’s trying to economize every last bit of word balloon space, and the fact that this chapter even features a map in the middle of one onslaught of verbage makes it seem like you’re not really meant to read what she has to say.
As is often the case with Genshiken, this chapter is primarily about setup, a brief pause after the weightiness of Hato’s heart to heart talk with Madarame. While of course the decision to break these characters off into specific pairs was probably not random (unless Kio actively chose to replicate what Yoshitake does in the manga itself), I think it’s both telling of Yoshitake’s desire to be the grease that moves the wheels forward, and that both the author and the characters haven’t forgotten about good ol’ Kujibiki Unbalance.
While it’s doubtful that anyone who’s still reading Nidaime doesn’t know what that is, it’s kind of fascinating that the series which so dominated the conversations of the old generation have all but vanished with these youngins. I wonder if Kio misses that a bit. Not only is the chapter title, “Kujibiki Unbalance 1″ a reference to it, but at one point Yoshitake says, “Kami-sama no iu toori,” or “Do as God says,” which is a line from the Kujibiki Unbalance anime opening.
When Yoshitake revealed the kujibiki, I was hoping for the wildest and nonsensical pairings to happen, and in the end my wishes were fulfilled where it counts. While it wasn’t 100% off-the-wall (Ogiue + Sue and Angela + Ohno are obvious ones), seeing things like Hato + Keiko and Madarame + Yoshitake has a certain odd thrill, either because there’s so much tension or because there’s none at all. It’s almost like when characters have to change seats after a semester, and it becomes an opportunity to really see sides of them that we the manga readers haven’t before, or when you’re watching a fighting game tournament and two characters who rarely fight each other are in the grand finals. You’re not sure if you like it more, but the novelty alone keeps you glued.
If we’re allowed to speculate (and seeing as this is my blog I’m going to say it’s okay), I think that the main focus of the next chapter will probably be Hato and Keiko, which will involve Hato trying to pussyfoot around the subject of Madarame and Keiko going straight for the proverbial jugular. Keiko, while not the sharpest tool in the shed in certain respects, is still very perceptive, and even if that’s not enough she’s the type to really egg someone on and force them to admit something. From there, I predict Keiko will really try to force Hato to confront why exactly he crossdresses, and might even explain directly what she finds to be so disingenuous about Hato’s personality and behavior.
Also, on the topic of Keiko, is she purposely wearing a coat that’s similar to Madarame’s? It’s not the kind of clothing I typically associate with her, and as stated previously, she’s intentionally toned down her makeup to appeal more to Madarame’s sensibilities.
And if I were more into yuri, I’d probably make a bigger deal out of both Ogiue and Sue pairing off for the trip, and the fact that they slept in the same sheets at Yajima’s home. I’ll leave that to the other intrepid fans.
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