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September I feel was kind of an exciting month, and I think I’ve put out some of my best articles in a while. Chief among them are my review of Love Live! The School Idol Movie and a monthly sponsored Patreon post, “The Rise and Fall of Saimoe.” In fact, even though it’s against the rules of my Patreon, I want to extend my gratitutde to Johnny Trovato, who while no longer a patron was the first to take me up on my offer to write posts based on topics chosen by my patrons. Thanks, Johnny.

Over the past month I’ve introduced a new type of pledge, where you can pledge a certain amount based on your favorite Genshiken character. In all honesty it’s just an excuse for me to make bad puns, so that’s why the amounts are all over the place. Of course, this also means that there are now different categories for sponsor shout-outs.

This month’s special Patreon sponsors are:


Ko Ransom




Yoshitake Rika fans:

Elliot Page

Hato Kenjirou fans:


I haven’t gotten to all of the Genshiken characters yet, but if there’s one that you really want to see (Kaminaga? The younger Yoshitake? Ohno?), then speak up! It’ll be interesting to see which characters are still the fan favorites after all this time.

As for what’s on the horizon, New York Comic Con is this week, and I’ll be attending all 4 days! Of course I’ll have a con report for everyone to read, and you’ll be able to (most likely) catch me at a number of panels. Of course, given the hectic nature of NYCC, there’s no telling for sure!

Thu. Oct. 8
5:30 – 6:30 pm
VIZ Media Presents: An Evening with Masashi Kishimoto, Creator of Naruto
Location: Main Stage 1-D Presented by AT&T
Panels & Screenings
Fri. Oct. 9
8:00 – 9:30 pm
Love Live! School Idol Project
Location: Room 1A05
Panels & Screenings
Sat. Oct. 10
11:15 am – 12:15 pm
CBLDF Presents: Comics Censorship in 2015
Location: Room 1A05
Panels & Screenings

The truth comes out in more ways than one in this chapter of Genshiken. Not only does it turn out that this entire trip was an elaborate way to help Madarame towards finally making a decision about his love life (much to Kuchiki’s chagrin; it was supposed to be his graduation trip after all), but now Yajima knows that Hato is aware of her feelings for him. Within all of this is… the potential for yuri?!

I should be clear about that last point. Thus far in Genshiken outside of Hato and Madarame and the magical fictional world of BL, same sex relationships haven’t really been a factor. The closest thing we’ve seen is Sue being very attached to Ogiue in a way that makes it unclear whether she’s using otaku and manga references to assert her friendship with Ogiue in an odd way (Ogiue wa ME no yome!) or if there’s something more. Sure, there are yuri fans who ship certain pairings (Ogiue and her old middle school classmate/friend/bully Nakajima for example) but here even I who normally forego donning a pair of yuri goggles saw a few things that caught my attention. One was of course intentional by Kio, when Ohno comes onto Ogiue to make Kuchiki jealous (it’s complicated), but then you have a moment like this:

Actually, it almost feels like a “yaoi” moment using female characters. Has anyone done a study of how interactions are portrayed in yaoi vs. yuri? There’s also significantly more Ogiue in this chapter compared to the previous ones, but more on that later.

What I find especially fascinating about this whole Nikkou trip as a way to move Madarame forward is just the idea that he (and perhaps anyone) should not be able to let his relationships stagnate. As Evangelion has taught us, staying in the same place unable to move forward can be a crippling experience that appears comforting when it is seen as avoiding pain. While it could be seen as them pushing Madarame unnecessarily, his passive personality likely means that nothing would ever happen, and it would hurt everyone on all sides if it persists. Of course, there’s still a chance that Madarame will probably still come out of it indecisive because that’s just how he is, but the very fact that Genshiken is having its characters try to constantly prevent the “series of misunderstandings” that can occur when too many secrets are kept gives me the sense that everyone wants the best for each other.

Probably the biggest surprise of this chapter is everyone’s accepting attitudes towards Sue potentially ending up with Madarame, including the other girls interested in him. I mentioned in the previous chapter review that Yoshitake’s comments about Nikkou being a fake-out meant to draw attention away from Tokugawa’s real grave might be meta-commentary on the statuses of the others gunning for Madarame, and it looks like it’s panned out. Hato and Keiko have gotten so much attention, and Keiko even commented on how Sue is unlikely because of her personality, but here Keiko is in Chapter 116 saying that she won’t interfere with Sue like she does the others because that’s the one other person she’s okay with.

Given the cunning with which Keiko has competed, does this mean that she sees something special between Sue and Madarame that doesn’t exist with the other potential partners, including herself? Perhaps the fact that no one wants to interfere with Sue x Mada is because they understand both of their personalities, and that Sue in particular has her own battle to fight regarding her own feelings. Maybe it’s the fact that everyone other than Sue appears to be using wits and charm to pull Madarame towards them (or at least Keiko believes Hato to be doing this), and that if Sue turns out to be the one, that she’s “won” in more than one sense of the word. Again, suddenly Sue looks increasingly likely when she had previously been dismissed, turning everything upside down.

Kuchiki, in his jealousy, argues a version of a  point that I’ve mentioned before, that Madarame has shown how his 2D and 3D tastes don’t necessarily line up. While he has mentioned that Sue is exactly the kind of person that matches his favorite anime archetype, there’s also no denying his lost love for Kasukabe. At the same time, Genshiken Nidaime plays significantly with the blurring of real and fictional interests, or rather the reveal that the difference between them is possibly fairly porous even if the two aren’t the same. However, there’s another possibility, which is that Madarame and Sue’s connection goes well beyond looks, and that, other than possibly Hato, Sue is the only one who match him blow for blow when it comes to otaku power levels, creating a truly ultimate “otaple.”

As I mentioned above, Ogiue has gotten more attention in this chapter than every other one in this “Nikkou Arc,” though not enough to make her a particularly important character for this story. However, it does give us many glorious Ogiue faces.

A lot could be said about Hato and Yajima, but it seems like they’re saving the big guns for next chapter, alongside Sue & Madarame’s Excellent Adventures. Until then…!

If you liked this post, consider becoming a sponsor of Ogiue Maniax through Patreon. You can get rewards for higher pledges, including a chance to request topics for the blog.


Hato Kenjirou is one of the central characters of Genshiken whose struggles with gender and sexuality and overall cheerful yet reserved personality have earned him many fans. Some folks have decided to create a fanzine all about Hato, and while he’s not everyone’s favorite character (see name of blog), I think it’s really awesome and I encourage all Hato fans and perhaps even fans of Genshiken to either send something in or at least take a look when the finished product arrives.

Submissions are open for HatoZine, and are due on October 15, 2015. Make sure to check out the submission guidelines too.

As for myself, I indeed plan on writing something. Or have I already written something and just haven’t sent it in yet???

And of course, thanks to Alison Wilgus for telling me about HatoZine.



As September begins, I feel as if something is going to happening. I’ve been considering promoting the blog more than I have in the past, and really thinking about if I should make more efforts to have my posts reach people rather than writing them and waiting for readers to show up. I don’t want to push Ogiue Maniax at people who don’t care, but I do think that there are folks who might be interested in my blog, but who could very well know nothing about it. After all, I still get messages from people discovering Ogiue Maniax, albeit at a slower pace than what used to happen when anime blogging was a bigger thing in general.

This month’s special Patreon sponsors are:

Ko Ransom


Johnny Trovato


I had one other new sponsor who just barely missed the cut-off point for this month, but don’t worry (and you know who you are!). You’ll see your name next month.

This month’s sponsored posts covered food anime (though it turned more into a post about the Food Network’s anime-like qualities), and Senki Zesshou Symphogear. I had a lot of fun writing both, and I’m grateful that my sponsors enjoy the fact that I will sometimes twist their topics to suit my own particular interests and way of thinking. I feel appreciated, and I’m always happy to see others interested in my thoughts on anime, manga, and other topics.

I had a kind of crazy idea for the Patreon just the other day, and I don’t know how to properly reward people if they do this, but I wanted to make it possible to pledge certain amounts that also indicate your favorite Genshiken characters, based on Japanese wordplay. It would go something like this:

$10.00 for Ogiue (The Chi in Chika means “1000” and 1000 yen is about $10.00. I would say $1000 but I’m being realistic here)

$8.00 for Madarame (The Ha in Harunobu = 8)

$3.38 for Sasahara (Sa = 3, Ha = 8, thus $3.38)

$8.10 for Hato (Ha = 8, To = 10)

$4.40 for Yoshitake (4 = Yo, Shi = 4)

$4.37 for Sue (Susanna, Su = 4 (in Chinese and also Japanese mahjong), San/Zan = 3, Na = 7)

And so on.

What do you think of this idea? Would you be interested in pledging based on your favorite Genshiken character? Is this just another nefarious way for me to add more bad puns to the world?

It’s Keiko’s turn for with Madarame, and she uses the opportunity as only Keiko can. At the same time, she shows both some chinks in her armor and her resilience in spite of that. The chapter also ends with a reference to Overman King Gainer, which is never a bad thing.

One thing I’ve neglected when it comes to these recent Nikkou chapters of Genshiken is the potential meaning behind Yoshitake’s historical expositions. One purpose is to show that Yoshitake is indeed a history otaku, and visiting such a culturally significant place as Tokugawa Ieyasu’s tomb would set her off, yet I can’t help but feel that there’s a sense of metacommentary behind it. According to Yoshitake, Ieyasu purposely lied about the true location of his grave in order to mislead his enemies, and similarly it’s possible that Kio Shimoku has been placing one Madarame love interest in front of the others as a kind of red herring. The question is, then, which of the four is actually in the “lead?”

The answer is probably Keiko or Hato at this point, and you could make cases for either. In Chapter 115, Keiko outright states her case. Keiko: The Realistic Choice. It’s not the most inspiring campaign slogan, so to speak, but as I’ve mentioned in the past that is part of the Keiko x Mada pairing’s charm, that they already seem like a married couple, that opposites attract, etc. In certain ways, like a tangent graph, the more Keiko x Mada is a thing, the more it approaches (but never quite reaches) Spotted Flower. It’s realistic in a very specific sense of the word, where it reflects a popular image of how monogamous love and relationships are “behind the scenes.”

As for Hato, Yoshitake makes a comment that Hato has gotten closer to Madarame as a guy than he ever has in his female guise. Whether Yoshitake realizes it or not, she’s directly addressing one of Keiko’s criticisms of Hato, that he’s putting on an act, a performance, to get attention. Is this gender performativity, and is Keiko any less guilty of it?

If Hato is the front-runner, however, then this chapter is possibly the undermining of that, and again it has to do with Keiko. At the end of the chapter, Speaking of that, Keiko defies the standard manga progression, where secrets are unspoken and affect the dynamics of the love polygon, by just telling Hato about Yajima’s feelings for him. Cutting to the chase in that way is very characteristic of Keiko. You’d think it’d perhaps also be Saki-esque, but I feel like while Saki was devious, it’s a different kind of planning and awareness when Keiko is involved. Keiko is “realistic,” and part of her “reality” is that she both shatters illusions while creating others, and is very aware of everything that goes into presenting herself to Madarame. The main thing that throws her off is that Madarame is indecisive beyond her imagination, to the point that she at first interprets his waffling as rejection. There is a great deal of miscommunication because Keiko just perceives the world differently compared to the primarily otaku cast.

Keiko’s reaction to her “rejection” is fascinating in its own way. You can tell just from how shocked she is that Madarame might not be interested in her just how much confidence she had about winning. It actually didn’t occur to her that she wouldn’t be able to do just the right things to get Madarame to fall into her arms. It’s indicative of how she thinks that she feels that Angela is the biggest threat to her but is thankfully stymied by a long distance, and sees Sue as being too reticent for anything to happen, not realizing that this might be part of her appeal. Keiko aims for physical desire, and aims her personality in that direction.

So what does it mean that Hato is aware of Yajima now? It could go in a lot of different directions, but I could see it going for a while where Yajima doesn’t know that Hato knows about her crush. Yajima is fairly observant, but nowhere near on the level of Keiko or Saki, and Keiko is likely going to try and push them together. In other manga, Keiko might be viewed as the scheming villain, but I wonder if Hato and Yajima would be so bad after all. For one thing, characters like Yajima, especially in terms of physical appearance, are kind of a rarity in manga and anime, and to have them together might make for an interesting statement.

As for the red herrings, perhaps neither Keiko nor Hato are as likely choices as they seem.

If you liked this post, consider becoming a sponsor of Ogiue Maniax through Patreon. You can get rewards for higher pledges, including a chance to request topics for the blog.

It’s finally Angela’s turn to spend some alone time with Madarame in Chapter 114. Looking as if she’s going to do something wildly inappropriate, especially for a shrine, but in fact it doesn’t amount to anything more than hand-holding and longing stares. However, what would normally be considered fairly chaste interactions are in fact evidence of Angela’s absolutely diabolical nature when it comes to winning a man. At the same time, Keiko and Yajima are on their own, but to describe them as oil and water is to not quite do their dynamic justice. Keiko quickly realizes that Yajima likes Hato, and wonders how she can use that information.

When I first saw Yajima start to talk about how much she disliked Hato’s crossdressing to Keiko, my only thought was, “Yajima!!! Don’t do it!!! You don’t know what you’re getting into!” Yajima is too much of an open book and Keiko is already extremely perceptive as it is, so it’s no wonder Keiko figured it out rather quickly. With this knowledge, one has to wonder if Keiko will try to pair the two together, somewhat like Yoshitake, except for her own ulterior motives as opposed to maintaining overall harmony as Yoshitake desires. Though, Keiko and Yoshitake cooperating sounds rather frightening, and I look forward to possibly seeing more.

That brings us to the main feature of Chapter 114: Angela and how she has basically done her research. In the past, she mentioned that what she wants most is for Madarame to fantasize about her on those lonely nights, because doing so will conflate lust with love in Madarame’s virgin otaku mind, and will make Angela that much more desirable to him. In her last attempt, she took an extremely aggressive approach, basically attempting to throw Madarame off the diving board when he had never stepped into the kiddie pool. This time, rather than trying to get Madarame to touch her breast, she directs his hand towards her face, and thus encourages him to stare into her eyes as she gives a warm, inviting smile. However, because of the close call last time, perhaps because of everything Madarame’s been through since they last met, and because Angela decided to wear an extremely bold and unrealistic outfit that accentuates her superior figure compared to the others (generally speaking), she is letting Madarame’s imagination do the work. Angela is essentially taking advantage of the otaku mindset to water the seeds of wild and uncontrollable urge she had originally planted in Madarame’s head way back.

Otaku, especially the typical kind of Madarame’s generation, are confronted with two images of romantic love interests in anime, manga, and games. The first is the sweet and innocent childhood friend, the pure girl who’s all about long walks and blushing profusely. The second is the highly physically attractive type who somehow doesn’t realize that she’s the center of attention when it comes to guys. A lot of times, these two characters overlap (you can even argue that Ohno starts off as this type), and Angela is actively playing both roles. She’s the sexual dream who’s also now shown her “maiden” side, and Madarame is encouraged to connect fantasy A with fantasy B. Probably any guy given this information would have a similar reaction, but because Madarame is who he is, it’s 10x more intense. In a way I feel like Angela’s actions directly confront what an otaku is, or was supposed to be.

It’s also telling that Angela immediately gives Kuchiki the cold shoulder. She isn’t “easy,” but rather just knows what she wants.

The last thing I want to talk about this chapter is, of course, Ogiue. Though she’s not the spotlight of this chapter in any way, she does have an interesting moment with Yoshitake. As Yoshitake falls into tour guide mode, she claims that it’s just her and Ogiue spending time alone together. In order to emphasize this, Yoshitake whispers sweet nothings in Ogiue’s ear, and by sweet nothings I mean history trivia that would directly appeal to Ogiue’s fujoshi side.

We’ve seen Ogiue blush in many different ways, but I don’t think it’s ever quite been like this.


Hi Score Girl is the story of a beautiful romance where a young gamer who meets a girl who’s even better at Street Fighter II than he is. Though antagonistic at first, they begin to develop a friendship, and eventually something more. If you ever get the chance to read it, I recommend checking it out, as does my good friend Dave of Kawaiikochans fame. It’s a shame that the anime adaptation (and a lot of other things) got cut down at the knees due to SNK arguing copyright shenanigans.

I noticed a few things about the girl in the story. First, she has long, thick black hair. Second, when she plays Street Fighter II, she picks mainly big, bald, and/or burly characters: Zangief, Dhalsim, E. Honda. In fact, when she plays Final Fight, she selects Haggar. Third, her name is Ohno.


I don’t know if it’s just a coincidence or what, but I’m looking forward to the possibility that one Ohno might cosplay as the other. Also, now that I think about it, the Ohno in Hi Score Girl is more like a cross between Ohno and Sue, given her violent and eccentric temperament.

Over the past month, Ogiue Maniax finally hit the $100 mark on Patreon. I think that’s a pretty great milestone, and I’m thankful to everyone who’s helped out. I would consider this one of the more important events as of late, except that I actually also recently received my PhD and that kind of trumps everything else. Looking back, my academic achievement is a direct extension of a route that began with Ogiue Maniax all those years ago, and having my writing be appreciated on multiple levels fills me with a sense of wonderful pride (that’s also fleeting because I’m kind of self-doubting).

This month’s special Patreon sponsors are:

Ko Ransom


Johnny Trovato


Both Patreon-sponsored posts this month had interesting topics, I think. Touhou, Kantai Collection, and the Idea of the Controlled Fandom Experience is a post that came out of a request to talk about Touhou in general, but because Touhou is in such a different place compared to where it really began to make a mark in the English-speaking fandom, and because there’s so much competition in the mental space of otaku, I had to make it about Kantai Collection as well. For the other one, Miyamoto Ariana, “Japanese-ness,” and Black Cosplay, I’m not someone who normally thinks about beauty competitions or even cosplay, but the achievement by Miyamoto I think inevitably ties to a lot of ideas about identity and identity politics that even extends to the cosplay community.

This past month I also went and replaced my old Patreon milestone, the internet meme post, with a new challenge. At $150 I will now write a genuinely negative review of Genshiken, focusing mainly on its flaws (and not fake mascots ever). As my favorite manga ever, and because I tend to be positive overall with the blog, I see this as a challenge for myself. If you’re interested in seeing me squirm, this is your chance.

I still want to think about the whole Skype conversation reward, but it’s more a time concern than anything else at this point. I also am not sure how valuable talking to me actually is. Maybe once I get myself a silky smooth baritone voice, I can bump it up something fierce.


The previous chapter of Genshiken ended with most of the characters pairing off in unexpected ways (none of them romantic), setting up the anticipation that there would be some intriguing interactions that go outside of the normal range that Genshiken has been using as of late. In this regard, Chapter 113 is far from being a disappointment.

After Yoshitake finally reins in her history otaku nature and ceases to be a tour guide through the shrines of Nikkou, all of the groups do their own special thing. For this reason, for this month’s review I think it’s worth talking about each notable pair on their own.

Madarame and Yoshitake

In a lot of harem manga, the characters that act as if they’re stringing the main character along through feigned expressions of affection often fall into the category of the harem as well. Because they show the possibility, they’re part of the fantasy too, even if they’re supposed to be tongue in cheek. Not so with Yoshitake. She drags Madarame away not only to spark the fire among the characters who actually are interested in Madarame, but also slyly manipulates Madarame as well by making it seem as if she’s also into him. Perhaps I’m reading too much into it, but the reaction on Madarame’s face seems less like surprise and more like, “Oh no, not again,” which when you think about it is a far cry from where he was originally in Genshiken.

Yajima and Kuchiki

Kuchiki wants what Madarame has but he’ll never get it because it’s hard to imagine too many girls who would like Kuchiki’s personality (then again he did have a girlfriend once upon a time). At the same time, their mildly venomous conversation has a lot of grains of truth being sifted. Kuchiki mentions the appeal of the girl-boy, which is that you have the physical attraction of a female without the seeming mystery of trying to figure out how they think and feel. This actually isn’t far off from what I’ve read about the appeal of certain, shall we say, “alternative” forms of adult entertainment in anime and manga, and it even reflects something I’ve seen before in an old Ann Landers/Dear Abby, which had to do with a wife questioning if her husband was gay. Long story short, that aspect of being able to directly understand the feelings of another, whether that’s more spiritual or more physical, is something that’s understandable when you think about it. As for Kuchiki almost figuring out Yajima’s feelings for Hato, that probably has less to do with Kuchiki being perceptive and more that Yajima is often an open book (see her first meeting with Yoshitake’s “brother”).

Hato and Keiko

It’s been established that the two don’t really get along, and this chapter I think really shows the foundation of why that’s the case. Essentially, both Hato and Keiko believe that the other is somehow manipulating Madarame. Hato believes Keiko is just stringing him along, while Keiko sees Hato’s personality as an ideal construct, pleasing but artificial. Together, they both open up to each other in an antagonistic manner, giving details as to what transpired in each of their respective close encounters with Madarame. Now they both know the approximate truth, and while it can’t be said that Madarame is a two-timer, I do think Hato and Keiko have bonded in a rather bizarre yet understandable manner. That said, I think their lowered opinion of him comes from somewhat different places; with Hato it’s because of how easily Madarame was enticed, and Keiko because it connects to the whole thing about Madarame being happy about Hato’s chocolates.

And then…

I think there’s something to be said about the way that the characters of Genshiken try to exert their wills in this chapter. Yoshitake temporarily dons the role of a fawning admirer to mess with Madarame, Keiko intentionally withholds the fact that Kugayama was at her club too to make Hato think that Madarame came of his own accord, and Hato throws the events of the previous night in Keiko’s face. Nowhere is this clearer than with the fact that Angela’s time has arrived, and she’s come prepared for bear, so to speak. As soon as she finds out she’s pairing with Madarame, out come her noble familiars, barely constrained and ready to serve their master.

I’m not sure if it’s clear from my previous posts, but I love the idea of Madarame and Angela, if only because to me it’s the most hilarious. This chapter begins to prove why that’s the case, even if she probably has the slimmest chance out of the four. Will next month be the most fanservicey chapter of Genshiken ever?

Speaking of Angela and Madarame, or rather the renewed kujibiki drawingI do find it interesting that Yoshitake’s plan to see the temple Youmeimon, the culmination of her trip to Nikkou, is derailed by construction much in the same way that her original plan to mix the group up into new and exciting pairings also backfired in terms of its original intent. It makes me wonder if this second lottery is going to also be reflected in Yoshitake somehow encountering an even more amazing sight.

Last thing of note: as seen in the first image in this post, this chapter clearly used photo references for its color pages that lend a greater amount of realism to the backgrounds, to the extent that it feels like the chapter is actually promoting tourism for Nikkou. I don’t think that’s actually the case, but Genshiken rarely goes for that look.

A lot of things have happened over the past month at (or around) Ogiue Maniax. Observant folks might have noticed that I’ve started linking to other posts on this blog. That’s because I’ve started contributing to the social media for an upcoming convention in New York City, Waku Waku +NYC, and this includes writing blog posts for them. I hope you enjoy the extra material, as while they’re not quite the same as what I’d normally write for Ogiue Maniax, they’re still intended to be fun, informative, and promote discussion.

However, if you look at the actual Patreon page, I don’t include those extra blog posts in my creations, as I believe it’s not quite fair to bolster my numbers like that when it’s all content supported by another organization not explicitly for Ogiue Maniax. Readers, do you agree, or would you rather see everything I make go on there?

This month’s special sponsors are:

Ko Ransom


Johnny Trovato


May was actually the first month where I wrote two sponsored posts:

We Don’t Need No Stinkin’ Holograms (At Least Not All the Time): Voca Nico Night

An Acquired Taste that Gets Better with Time: Mysterious Joker

I definitely enjoyed writing them, and they got me to look more into topics I’ve had only passing familiarity with, and if you like what you see, why not consider becoming a sponsor? At $30 a month you can request topics as well.

I’m also still putting consideration into a new sponsor level, which is to have Skype conversations with me every week, and a milestone, which will involve me writing a negative review of Genshiken just for fun. The goal would not be to exaggerate, but to fairly state the flaws of my favorite series. What do you think? Would that be fun?

Interested in Supporting Ogiue Maniax?


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