You are currently browsing the category archive for the ‘fujoshi’ category.
Name: Wakaba, Chiharu (若葉千晴)
Relationship Status: Single
Origin: Susume! Otome Road
Wakaba Chiharu is a 16 closeted fujoshi. Unbeknownst to her classmates, she enjoys drawing doujinshi of bishounen, and fantasizes over her classmates, Okamoto Kei and Tajima Ryouichi. Her favorite anime is Cat-eared Akira, a series for which she owns a good deal of merchandise, including a life-sized doll of Akira. Her older sister Chikage is also a fujoshi.
Chiharu is able and willing to indulge in her fantasies to the fullest extent right in the middle class.
Name: Chitose, Sakurako (千歳桜子 )
Alias: Cherry (チェリー)
Relationship Status: Single
Origin: Princess Ringo’s Adventures in “Wota” Land
Chitose Sakurako is a fujoshi who first meets Himenogi Rin and Yamada Moe at an event for her favorite series, Prince Salaryman. Afterwards, she lands a job at their office, but when a manager named Hayami Yorimichi manipulates Sakurako into having sex with him and then posts the pictures on the internet, the three of them hatch a plan to get back at him.
At the doujin event where Sakurako first met Rin, she got so into her cosplay as the Prince Salaryman character Red and her yaoi fantasies that she ended up french kissing Rin (also cosplaying the same character).
Name: Torisawa, Mii (鳥沢美以)
Relationship Status: Complicated/Dating
Origin: Tora to Ookami
Torisawa Mii is a high school student who works at her family’s restaurant, Himawari. One day while preparing food at the restaurant she meets two older men one day. Sengoku Torajii and Ookami Ken turn out to be two new student teachers at her school, but Mii also uses them as fodder for her BL fiction which she posts on her blog. Mii finds herself attracted to both of them, but due to her familiarity with the two she becomes a target for jealous bullying. Mii ultimately begins a relationship with Ken, moving away to live together.
Mii is an excellent cook and has a very strong sense of responsibility, especially when it comes to managing Himawari and taking care of her grandmother. When a businessman attempts to buy out the land under Himawari, she remains steadfast in her desire to preserve the restaurant that her parents left behind. In the end, she arrives at a compromise with the businessman where Himawari would be sold and replaced by a restaurant that serves food based on her family’s recipes, but Mii also opens up her own new version of Himawari in her new town.
While she was already into BL, meeting Torajii and Ken made Mii get more into writing hardcore material.
In Chapter 108 of Genshiken II, Yajima’s mom plays “Are you a Man or a Woman,” Yajima tries to get closer to Hato, and the club meets Yajima’s dad. As Kuchiki has a surprisingly heartfelt moment.
I think Genshiken in general has a knack for conversations that feel natural while reflecting the awkwardness of its characters, and nowhere is this more evident than in the scene between Hato and Yajima this chapter. As Hato and Yajima are going to pick up Madarame and Kuchiki from the nearby hotel (motel?), Yajima begins to talk to him about his comic. It’s the one subject where she believes that they’re on roughly even ground and that they can both relate to in a way that the others (sans Ogiue) cannot, so she’s going to use it for all that it’s worth. It’s a moment that really says, “Yes, this is what Yajima is about.” What makes this scene really work for showcasing Yajima’s feelings, though, is the artwork itself, where Yajima is trying her best to work through her own awkwardness and continue conversation.
Obviously that scene references the previous chapters where Yajima and Hato have been working on their manga, but there are actually quite a few callbacks to events much further back in Genshiken as well. The first one worth mentioning is Yajima’s mom trying to guess which of the girls is in fact a boy. You might recall that this happened in Chapter 56, the very first chapter of Nidaime, when Madarame predictably couldn’t figure it out and Saki was able to with one look. Looking back, it’s kind of amazing how that was Madarame and Hato’s first meeting, and now it’s gotten to this crazy stage. Also, the logic Yajima’s mom uses to single out Keiko is clear, even if she’s off the mark: all of that effort put into her makeup and appearance has to be for something, right?
Poor Keiko. Poor Yajima. Speaking of Yajima, she really does look like the halfway point between her parents.
Speaking of Yajima’s mom, I do find it interesting that the chapter goes out of its way to point out her similarities to Yoshitake in terms of personality. I think we’re supposed to interpret that comparison in two ways, the first being that she has a kind of subtly aggressive personality as she questions everyone’s gender (including her own daughter’s!), and the second being that she gives off a warm, inviting personality. One could even argue that Yajima, who takes after her father in terms of temperament, would get along with someone who’s just like her mother. That’s probably a stretch, though.
The second callback comes from the bath scenes. Recalling the Karuizawa trip, it’s quite telling that Keiko treated the disparity in chest size between her and Ohno back then not as an attack on her confidence, but in the case of Angela she sees the American character’s body as more of a threat. No doubt this is done to show that Keiko views Angela as the most dangerous rival of all for Madarame, reinforcing also her initial view of Angela upon finding out that Angela has a thing for Madarame. I’ve talked about this before, but the friendly antagonism that exists between Keiko and Angela is something you don’t see in a lot of manga, let alone manga about a group of otaku. Both clearly have a lot of sexual experience, both are aware of this fact, and thus both see each other in a different light compared to the rest.
To a lesser extent, Ogiue and Sue’s bath scene also references Karuizawa, but it’s not as significant. It’s mostly just an opportunity to make a joke at Ogiue’s expense, though in this case it’s her own self-deprecation. Actually, when I think about it, most of the time when the subject of Ogiue’s chest comes up, it’s usually her putting words into another person’s mouth. “Now you’re going to say… I’m a small-chested tsundere!” exclaims Ogiue “Joseph Joestar” Chika, as Sasahara or Sue or whoever denies her accusation.
The last reference to the past is the most obvious, as Kuchiki is told to recount how he became a member of Genshiken in the first place. Between his initial club visit, his running away upon seeing the lovey-dovey interactions between Kousaka and Saki, his re-joining the club and causing trouble from the get-go, the scene for the most part reinforces Kuchiki’s role in the story as that annoying guy in the club you just can’t get rid of. However, Kio takes the time to put a bit of a twist on all of that when he has Kuchiki reminds everyone of Genshiken’s origins as a home for misfit otaku (the rejects of the rejects).
In this regard, I find that his apology to Ogiue actually says a lot. As he’s giving his speech before the toast, Ogiue jokingly reminds him that in their first meeting he laid her hands on him and that she’d never forget that, and Kuchiki gets down on his knees (“dogeza”), and immediately says sorry. Within this one moment, we can see that, as much as Kuchiki is generally a completely tactless and grating individual, that he cherishes Genshiken as more than just a place where he can fantasize about being a harem lead. Rather, it’s his home, a place that accepted him when nowhere else would, and to lose that connection is to lose a sense of belonging.
A few days ago I posted a translation of Japanese blogger Tamagomago’s latest article on Genshiken, where he asserts that the distinction between otaku and non-otaku, at least as it was in the mid-1990s to early-2000s, no longer really matters or indeed exists in the same capacity. Kuchiki clearly comes from before this time (as does Madarame of course), and I think given how Nidaime has gone it’s easy to forget just how awkward the club used to be. Kuchiki is a refreshing reminder of its origins, of a time that has arguably passed ages ago, and how places like Genshiken can be important for the awkward. On a personal level, as I’ve gotten older myself I’m no longer quite the nervous teenager I once was, and though vestiges of it still exist within me (and I’m still an awkward individual to be sure), it can be easy to forget just how intense it can be to worry that you don’t belong.
In a way, I wonder if Genshiken and its titular club at this point embody not simply the idea of a group of otaku, but the idea of a space to grow.
Name: Ero-hon G-Man (エロ本Gメン)
Alias: G-Man (Gメン), Ero Books Government Man, Class President (委員長)
Relationship Status: Single
Origin: Denkigai no Honya-san
This Japanese government agent inspects erotic books in order to find inappropriate content. However, as a fujoshi, she herself is a fan of erotic materials and reads them in her off-hours. She treats her job not so much as a form of censorship but rather a form of protection for ero manga, preferring that they be labeled correctly in order to reach their desired audiences, while being appropriate enough that they don’t get removed outright: at one point she dressed up as Santa Claus to distribute orphaned erotic comics.
The Ero-hon G-Man has known the employee at Comic Umanohone famous for his excellent recommendations, nicknamed “Sommelier,” since they were little. Sommelier introduced her to the world of erotic books, forging a life-long friendship and a mutual attraction. As a child, she was a fan of the badminton-themed manga The Prince of the Shuttlecock.
She occasionally attends Sommelier’s manga recommendation evenings, and is notorious for being very specific in her interests in yaoi manga. At the same time, her tastes are fairly broad including both pretty boys and muscley men.
Name: Choco Donuts (チョコドーナツ)
Relationship Status: Married
Origin: Inaka no Sengyou no Shufu-chan
Choco Donuts is a “shufu,” a fujoshi wife, who moved to the Japanese countryside after getting married. Living in “S Prefecture,” she must not only hide her yaoi-loving side from the innocent old ladies who reside there, but must also deal with the fact that it is more difficult to obtain BL works compared to more densely populated regions. Originally becoming an otaku in high school, Choco Donuts would become a complete BL fan in college. She is also a fan of the manga series Junjou Maron, which features a complex love web including a hero, a rival, the hero’s father, and even a horse.
Choco Donuts traveled to four different bookstores in S Prefecture just to find the latest volume of Junjou Maron.
Name: Muryou (無量)
Relationship Status: N/A
A member of the middle school Kentei Academy manga club along, Muryou is friends with the club’s president. Muryou is a fan of the Tentel x Mikoto pairing from Omakase Tentel, though she can be very shy and embarrassed about it, especially around guys, whom she believes would only mock her.
While definitely a fujoshi, Muryou lacks experience at Comic Manga Market, which may indicate that she is fairly new to being a BL fan.
Alias: President/Buchou (部長)
Relationship Status: N/A
The president of the middle school Kentei Academy manga club after Matsumoto Senri, she is friends with Muryou and hopes to join Matsumoto’s high school manga club when it’s her time to graduate. She is a fan of the Tentel x Mikoto pairing from Omakase Tentel, as well as the pairing of Matsu x Kiyo, Matsumoto and his best friend, Kiyokawa Atsumu.
Although clearly a fujoshi, her inexperience navigating Comic Manga Market may indicate that she has not been one for very long, or at the very least has not attended very many doujin events.
Chapter 107 of Genshiken II mostly takes place on a train. Unlike Baccano!, there is no trail of dead bodies, thanks mostly to Yoshitake.
The crew is traveling to Nikkou, a popular domestic and foreign tourist destination, which happens to be located near Yajima’s hometown. As Kuchiki feels that his spotlight has been stolen by Madarame and the women who love him, Yoshitake placates his (somewhat justified) anger by playing with him various classic school trip games, like
UNO UMO, at the same time she tries to encourage Madarame towards a romantic conclusion. Before arriving at Yajima’s place, Yoshitake reveals that she deliberately split off Kuchiki and Madarame into their own hotel room to keep boys and girls separate, except also intentionally failing to mention that Hato is considered one of the girls in this instance.
Genshiken can generally be considered something of an ensemble series, with a rough protagonist in each part. First it was Sasahara, next it was Ogiue, now it might be considered Hato. However, if you were to take just this chapter by itself, and define protagonist in the conventional sense as the character whose actions move the narrative forward, then Yoshitake is clearly the hero in this instance, setting the characters on their paths, or at least trying to do so. That, or she’s like Satan, purveyor of half-truths, hiding her ulterior motives by giving reasons that appeal to her targets’ senses. For Madarame, pushing him towards altruism by bringing closure to his harem woes and preventing any potential fractures in the club hide her simple desire to see her friends end up happy.
Not that I dislike Yoshitake, but rather, as Japanese blogger tamagomago once said, Yoshitake is very good at being the glue that holds a group together. Here she demonstrates that ability to full effect using her silver tongue, managing to set up two different groups that take on different dynamics depending on which guy is placed within them. Madarame surrounded by Angela, Keiko, and Sue is pretty self-explanatory, but as soon as he shifts over to Yoshitake, Yajima, and Hato, it becomes an opportunity to see how Hato and Madarame react to each other. At the same time, Kuchiki being with the other girls lets him somewhat fulfill his harem fantasy, if only in the most bare-bones manner.
Of course, the other characters get their own moments too. While Yoshitake is the one moving things about, it’s the others’ lives that are the concern. Angela makes her appearance after a long while, and in a few moments she gets tied directly into the developments of the previous chapters. Specifically, she has a duel of confidence with Keiko, which references the close call that Madarame had with her, and she gets her breasts fondled by Sue, who is still mad about Madarame’s comment about breast size. Despite being so far away, she still perhaps has a “chance.”
Another character makes her return in Mimasaka, Yajima’s old friend, only this time she has tiny hearts literally emanating from her being. Previously I had considered the possibility that her affection for Yajima might merely be platonic (or at least something like what Sue feels towards Ogiue), but this little detail changes things. For one, it makes for a complex chain of romance where a girl likes another girl who likes a boy who dresses like a girl who likes a guy who recently had his heart broken and is currently popular with the ladies. We also get to see Yajima’s mother, who clearly resembles her. The chapter mentions something about genetics in terms of appearance, but I do find it interesting that Yajima’s mom is so much more cheerful than her daughter. Obviously their lives and circumstances are different, but it does make me a bit curious what her home life was like.
Ogiue literally took a backseat this chapter, staying out of the storm while on the train. One notable moment is that you can see her internal speech is still Tohoku-ben (Watashi wa zutto Sue to issho nandabeka…).
As for next chapter, the preview mentions that it’ll be centered around the Yajima household. I for one am curious when that Angela-centric chapter will happen. It’s really on a matter of when.
One last thing to mention: a new volume of Genshiken came out in Japan, and once again it comes with different store exclusives. This time, they’re Christmas-themed, and they feature Sue, Hato, and Angela, as well as a group shot.
Name: Furugoori, Kona (古郡こな)
Aliases: Koujiro Frau (神代フラウ), FRAUKOJIRO, Frau Bow (フラウ・ボゥ)
Relationship Status: Single
Furugoori Kona, better known by her internet handle “Koujiro Frau,” is the genius hacker and programmer of the popular mecha battle game Kill-Ballad. A hikikomori who tends to use internet lingo in real life, Frau is also obsessed with yaoi and erotic games, and will make frequent mention of them in everyday conversation, provided she’s talking to anyone in the first place. She is also known for her distinct laugh: duhuhu.
Unbeknownst to most, Frau is also the daughter of the director of the giant robot anime Gunvarrel, though her mother mysteriously disappeared after the show was abruptly canceled. Though reluctant at first, Frau eventually becomes a part of the Tanegashima High School Robotics Club, where her expertise helps the club to not only create a second prototype of their life-size giant robot, but also aids them in unraveling the elaborate conspiracy responsible for her mother’s disappearance.
In addition to her constant playing of yaoi games, Frau also frequently exclaims her desire to see her male club mates go at it, with her continued ramblings giving increasingly elaborate detail along the way. Frau is not only a fujoshi, but also one with very little filter.