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Chapter 97 of Genshiken II has quite a few significant developments, but they appear almost when you least expect them.
Yoshitake and Yajima decide to check out Hato’s new apartment, which is closer to the university. As they relax together, Yoshitake persists in trying to get Yajima to make a move on Hato or at least do something. The conversation goes to the topic of Madarame (who’s been looking for a new job), who then turns out to have a cold, prompting a visit.
While Hato uses his spare key to check up on Madarame and returns it, Yoshitake finally gets Yajima to admit that she has some feelings for Hato. As they discuss the fact that there’s actually an open apartment in Madarame’s building, Sue pulls up in a moving truck revealing that she will be living next to Hato (edit: not Madarame like I previously thought) from now on.
I find this chapter fairly difficult to process because it progresses so deceptively. What appears to start out as a Hato-centric chapter slowly reveals itself to be actually more of a Yajima and Yoshitake story, while the idle chit chat of the beginning eventually transforms into probably the most serious conversation about sexual orientation seen thus far in Genshiken. This unusual pacing makes it so that when Yajima finally quietly and grudgingly admits that she has some feelings for Hato (“…I don’t not like him”), it’s so subtle yet upfront that at least for me personally it feels like there’s a delayed response, like I’ve been hit by Kenshiro and am just waiting for my head to explode once it fully processes all of the implications.
Yajima’s moment plays out in the page below, and just the juxtaposition between her face and Yoshitake’s delightfully beaming face over getting her friend to finally come out with what Yoshitake herself has known all along is probably the highlight of the chapter. I know that manga sometimes gets ragged on for focusing too much on faces and not trying to draw more anatomically realistic characters or backgrounds, and then that the common response is to whip out something with really nice rendered art like Berserk. However, I think it’s important to appreciate skillfull use of faces in terms of creating a strong sense of flow and composition, even when it’s just two panels.
There’s also this sense of a narrative passing of the baton as while Hato has come to accept his feelings for Madarame, now it’s Yajima’s turn for conflict and confusion. In Yajima’s case it has nothing to do with her own sexual orientation. Instead, as far as I can interpret things, it has a lot to do with her own poor self-image mixed with some guilt over how she’s treated Hato and the realization that Hato feels something for Madarame. More than her appearance or her fondness for Shounen Jump analogues, it’s moments like these, where Yajima diminishes the value of her own romantic affections in favor of what’s already where, that makes Yajima feel really and truly like an awkward otaku.
As an aside, as much as I like Kinnikuman myself, I’m always a little surprised to see it referenced so readily in anime and manga, a reminder of how popular and beloved it really is. In this case, it’s Yajima using the Hell’s Guillotine, a signature move of the villain Akuma Shogun when she retaliates against Yoshitake’s antics.
When Yoshitake discusses sexuality, she mentions the idea that the fujoshi fantasy world of BL pairings is far different from the reality of a homosexual relationship and that there are (social) challenges awaiting anyone who accepts being part of a sexual minority. Not only is this rather poignant and serious, but together with the fact that she considers the likely reality that someone is going to get hurt in this no matter what, this chapter really highlights the fact that Yoshitake really thinks a lot of her friends. That said, she also kind of brushes aside her high school friends in a comment to Yajima and Hato, thought I take that as her having different types of friendships with different people. Even her friendships with Yajima and Hato individually aren’t quite the same.
As for Sue, the comedy potential for her living next to Hato is obvious, but it casts an interesting context in retrospect on Sue’s appearance in Chapter 95. While Sue being surrounded by mountains of merchandise epitomizes her as a mighty otaku, it also gives off this stark image of loneliness and isolation, which might explain in part the decision to move.
The last thing I want to do is go back to the faces, because this chapter has some of the best I’ve ever seen in Genshiken. You can already see in the Yajima-Yoshitake image above. The series has always been pretty good with the expressions, especially with the old Ogiue’s intense glares and Yoshitake’s general aloofness, but I feel like they’re on a whole other level here.
Seeing this Ogiue face below fills me with a strange kind of glee. In it, she’s basically refusing to get anywhere near a beauty salon. It’s interesting but also completely in character for her to be especially uncomfortable going to that sort of place even though she’s become much more fashionable over time.
Ohno and Yoshitake are thinking about going to a beauty salon, and try to rope Yajima along. Yajima, being the consummate otaku she is, resists to the best of her abilities but eventually concedes. (Un)fortunately, the latest fujoshi-targeted anime hit comes out and all of their plans go out the window as Ohno and Yoshitake spend all of their money on buying the blurays. Yajima gloats.
I enjoy every chapter of Genshiken that comes out, but this month in particular I found myself literally laughing out loud multiple times while reading. Even though most of it is just Yoshitake, Yajima, and Ohno sitting around and talking about whether or not they should go pretty themselves up, the combination of Yoshitake teasing Yajima and the way their conversation always re-emphasizes their identities as otaku makes the whole thing feel delightfully endearing. At one point Yoshitake suggest bringing along Kasukabe and going to a particularly expensive salon, only to be reminded by Ohno that they just all went to ComiFes and are mutually low on funds.
In a way, I find the beginning of the chapter to be kind of a fake-out even ignoring the way Ohno and Yoshitake backpedal, because the fact that it begins with Ohno talking about finally cutting her hair short brings to mind an older conversation where she mentions that the long hair can be an interview while job-hunting, and so we’re led to believe that she’s referring to finally getting serious and moving out into the adult world. It even ties a bit into Tanaka’s implicit proposal back in Chapter 83. Then we find out it’s just so that she can cosplay more character and that goes out the window. Ohno’s refusal to enter the “real world” is an interesting character flaw, to say the least.
(Also notable is the appearance of Kantai Collection references. It had to happen!)
The real focus of the chapter though is Yajima, who once again is feeling the pressure of fashion and appearance, though notably this time Hato is in no way involved outside of a mention by Yoshitake. It’s interesting seeing this topic again after so many other other developments have occurred, like the resolution of Mada/Saki and Hato’s realization about his own feelings, as I think it makes it easier to connect to Yajima who appears to feel almost lost in the madness. Yajima scoffs at the idea of going to a beauty salon initially, stating how she prefers getting 1000-yen haircuts to whatever madness other girls prefer, and it’s entirely understandable. Hell, when it comes to conversations like this, I am mostly on the side of Yajima, and I even recall recoiling in horror at seeing the price of haircuts when I lived in Japan myself.
Of course, as a guy I don’t have to deal with the same societal forces which tell me that appearance is important, and when you look Genshiken it’s clear that even though all of the guys have become more fashionable over time, it’s not nearly the same as what girls have to go through. Like the most significant pieces of fashion advice I’ve received are to not wear clothes that are too large for me, and to never wear yellow (it doesn’t match me apparently), and that’s pretty small potatoes compared to going to a beauty salon. That said, I’m reminded me of what Yoshitake had to say about fashion, which is that she dresses up not to attract men but to intimidate women. Fashion becomes a tool, rather than an identity, though that’s probably still too much for Yajima (or myself for that matter).
Out of all of the funny moments this chapter, the biggest one has to be the reveal of the fujoshi-bait show of the fictional in-universe Winter 2014 season of anime. Suikyuu! is an anime about water polo of all things, a kind of mix between the team competition of sports series (like volleyball manga Haikyuu!!, namely) and the lithe, well-defined fanservice of Free! It even has the exclamation point! From Yoshitake’s reactions to seeing a team of elderly men join in (and thus set up the obvious reveal that Ohno watched it too), I think this is the first time that Nidaime has its own Kujibiki Unbalance, something which is grounded in the tropes and trends of the time that can be a consistent source of discussion for the Genshiken members. At least, that’s the potential, as we’ve of course yet to see more of it.
As Yoshitake and Yajima discuss the Madarame “harem,” Hato shows that he is more accepting of all the complex facets which make up who he is. Given the issue of romance in the air, however, Yoshitake worries that it could end up breaking Genshiken apart.
One of the manga volume extras has Tanaka and Kugayama discussing the idea that romantic feelings can often destroy otaku groups, and to see that “aside” brought to the forefront in the main manga is interesting, to say the least. It’s an aspect of “nerd friendship” that has been left unexplored in Genshiken so far, for better or worse. Madarame had his thing with Saki, of course, but that was defined more by Madarame’s silence, and now that their particular subplot finished with everything out in the open, the potential drama of the current situation acts as perhaps an extension of that. It’s like every time I look at Genshiken another new arc or period is starting.
Of course, the fact that when Tanaka and Kugayama talked about otaku groups falling apart they had in mind the lone girl whom all of the male otaku fawn after, which is completely flipped with Madarame here. I think I wouldn’t be a fan of too big a swing into “club drama” in the venomous sense, as I think it might get way too far from the core of Genshiken (I’d hate to see friendships fall apart), but given where the series has been and my sense of how Kio Shimoku has advanced the story of the new generation so far, I strongly doubt that’s where it’s headed. Even if it does, I think the man has enough skill to execute it well and make it an opportunity for contemplation nevertheless.
This chapter shows once and for all that the projections have been manifestations of various conflicts in Hato. With the other Hato it’s about how he has tried to maintain this dual mental identity such that his “male” self and his “female” self are two separate entities when in fact they are, as the other Hato put it, the same person. When it comes to the Kaminaga stand, however, given what we know now it’s clear that she represents Hato’s repressed feelings for Madarame. As I’ve stated many times before, I find it interesting that these are two separate aspects. Seeing Hato accept and “absorb” them is probably the highlight of the chapter, as it show perhaps more than any other scene with Hato in the entire of the manga a kind of resolution, or should I say resolve? There’s something powerful about seeing those semi-subconscious facets of Hato disappear from the page, almost like the last time we see Madoka in the original Madoka Magica TV series. I find it also significant that Hato now wants to find an apartment closer to the school so that he doesn’t have to change at Madarame’s place. The idea is obviously that Hato’s own feelings for him make that scenario incredibly uncomfortable for Hato.
A first for Genshiken is that we get to see Sue by herself this chapter. Usually she’s with Ohno, or Ogiue, or Angela, but here Genshiken presents the lone Susanna Hopkins, and though there’s nothing surprising about her lifestyle (or the fact that her dorm is a mess!), there’s an almost melancholy feel to seeing Sue without others to bounce off of, for her actions to collide with the sensibilities of others. If it weren’t for the stuff with Hato mentioned above, I would say Sue in her dorm room would have been the most powerful image in this chapter. Also, though it’s hard to tell I think Sue lives in an on-campus dorm specifically devoted to foreign students. My clues are the bits of unreadable English (or other roman alphabet text) on a couple of plaques and the fact that the two other dorm residents portrayed are speaking something unintelligible for Sue.
I also feel the need to talk a bit about Yoshitake, if only because, as much as the old Genshiken characters were into some pretty hardcore stuff, they never spoke so openly and candidly about topics like sex. Of course, Yoshitake’s exclamations come from a place of otaku fantasy and not personal experience, so it’s not that different, but she’s a far cry from everyone else outside of maybe Angela who’s more forward and is more sexually active than Yoshitake is. I think Yoshitake’s decision to title the whiteboard list of Madarame’s faults as “Rame-senpai no koko ga ramee,” which makes it sound like a line from a porn manga, says it all. As an aside, Yoshitake makes a reference to Kamijou Touma (I’ll break that illusion apart”), which I’m sure will please at least a few.
Sadly we did not get to see Ogiue in her hometown, which I was really hoping for. That said, though this may just be my own wishful thinking, I believe that Ogiue could play an important role in all of this because she understands the emotional and relationship damage that can happen when people refuse to communicate with each other, which I think is the biggest “threat” when it comes to a club like Genshiken falling apart.
It’s winter break. After the old guard of Genshiken (+ Kuchiki) discuss Madarame’s sudden romantic prospects from their old school otaku perspective, Madarame finds himself being visited by Yoshitake and Yajima. Of the four potential partners (Hato, Keiko, Angela, Sue), Yoshitake recommends Keiko for Madarame due to her similarities with Saki. The chapter ends with the image of Hato visiting home, where he meets his brother Yuuichirou and Kaminaga, who are pretty much married now if not already so.
A lot of previous chapters have been some sort of closure, whether that’s with Madarame and Saki, or Hato’s feelings, but this one feels like a transition. Between the mention of Yoshitake’s sister Risa taking college entrance exams and Ogiue and Hato visiting back home on top of everything Madarame is going through, it gives me an impression of a change coming almost on the level of Ogiue’s appearance and the shift in focus over to her. Given how many chapters Genshiken II has run already this kind of makes sense, as Ogiue appeared at a similar point.
I’m really impressed with how the manga portrays Madarame handling suddenly being the center of romantic attention, because I find that his concerns and his thought process make complete sense for his character. When given time to dwell on the idea, he imagines a simultaneous arrival of all four at his doorstep, like a scene straight out of Infinite Stratos, because anime and manga are his primary “harem” imagery even more than just straight up pornography. When Madarame hesitates in choosing, his explanation is that it is such an unfathomable situation because he expected attracting even one member of the opposite sex to be a miracle, and given his self-image his words rings with the familiarity of truth. At the same time, I don’t think he’s being entirely honest because if he was really okay with any girl, he would have had some wild times with Angela (who’s gone back to America) already.
In Madarame’s situation I think we can see both the exploration of the otaku or geek mind when it comes to romance, as well as an investigation of the harem genre. Madarame’s attitude towards women is initially a kind of passive desperation, a case of “anyone will do” because just that prospect of romance is so out of reach based on his self-image. When given a choice, however, his mind has to adjust because desperation is no longer the driving force because now he has to take the others into account, as well as what he really wants. Obviously he doesn’t really want a harem ending or just sex based on his actions (or more accurately inaction), and I think he’s realizing that there’s more to consider about a love life than just whoever says “yes” first.
If you’re having trouble relating to Madarame, imagine that it’s about being unemployed (which Madarame is!) rather than about romance. In a situation where someone is unemployed for ages, there’s an increasing desperation for finding a new job, to the point that eventually anything will do. Then, one day a bunch of job offers appear and they’re all actually good jobs. Instead of it being about getting paid, there are now a bunch of new variables to consider. Which job pays the best? Which job seems the most enjoyble? Which one is best for long-term planning? Which one is a once-in-a-lifetime opportunity? If not unemployment, then college also works. Which is the best school? Which is the most affordable or convenient? Which has the subject you want to study the most? There’s a lot more to think about, and of course it’s literally impossible to choose all of them.
All of this puts the typical harem or pseudo-harem anime complaints into a different light. You might hear people say, “Why is the harem lead such a wuss? If I were him, I’d have a go with everyone.” Although many harem leads are generic and neutral characters and that lends itself to that ambiguity, I think generally harem series deep down operate under a moralistic frame which some see as over-valuing virginity or passivity, but which I find to be about not being able to fully escape a sense of empathy (this is why fans tend to have a “favorite pairing”). In order to maintain the fantasy in harem series this aspect typically isn’t terribly prominent, but with the greater realism of Genshiken it comes more to the forefront.
The rest of the chapter reinforces this feeling as well. When the guys are huddled in Madarame’s apartment reading doujinshi, Kugayama brings up the idea that even most otaku who are all into the 2-D girls and such aren’t actually against being with real women, which references an older conversation back in the earliest days of Genshiken when Saki asked about this same topic. Being between all otaku men who are aware of this, however, the conversation becomes more about that otaku image in flux. The battle lines drawn a few chapters ago between virgins and non-virgins comes up again here, as Tanaka with his steady relationship and Madarame with his new circumstances seem to flutter beyond the horizon where otaku are not supposed to reach and yet clearly have. Genshiken has become about how the concept of otaku is in flux, but we rarely get to see it from the older generation’s perspective, so I appreciate this.
Although the chapter is mainly about Madarame, it’s also a Yoshitake chapter in that she’s very prominent in the latter half of the chapter. Yoshitake’s nerdish vibrance is on full display here, whether that’s obscure history references, her now-familiar knowing glances at Yajima, or the fact that at the end of the day she’s still that girl who ignored the opposite sex in favor of debating history from a fujoshi perspective with her friends in high school. Her reaction towards Madarame’s decision and assuming he really wants a harem is maybe the highlight of the chapter as her head tilts all the way back in shock. This chapter also made me realize how differently Kio uses Yoshitake’s glasses compared to, say, Madarame, as their variable transparency helps to give Yoshitake that sense of energy and slyness.
I sometimes see people complain that Genshiken spends too much time on Hato and not enough on Yoshitake and Yajima. While I think it’s a valid criticism for the most part, I find that one of the reasons this is an issue is because even though the other two don’t get as much focus they’re still portrayed extremely well in their moments and interactions. For example, one of the most significant parts of Yoshitake’s advice is strongly hinted at in this chapter, which is that she’s watching out for her friends in suggesting Keiko as the right choice for Madarame, as she doesn’t want to hurt Yajima. Moments like these make you want to learn more about them, because if they were boring or uninteresting no one would care. Nobody ever asks about Kuchiki’s backstory, after all.
As for Yoshitake’s recommendation, I know there have always been fans of Madarame and Keiko, even going back to the days when the original Genshiken series hadn’t even finished and there was no real inkling towards this pairing. I gave my thoughts on this pairing previously, but Yoshitake’s logic that Keiko is the most like Saki in that she’s able to talk candidly is pretty interesting, especially because from what little we’ve seen of Keiko’s love life (in that she has one at all), her communication with her boyfriend at the time was pretty poor in comparison to how she talks with “Watanabe.” Madarame’s mental mix-up of Keiko and Saki aso makes me think that it may not only be a matter of personality but that she also resembles Saki in the way Keiko carries herself. If that’s the case, I wonder if this is simply down to “similarity” or if Keiko is supposed to be someone who’s actually emulating Saki. Kio’s mention of his other ongoing series in the side bar then makes me wonder if indeed Keiko x Mada is the Real Spotted Flowers.
As for Hato, he strikes an impressive figure at the end of the chapter as he works to shovel the snow off of his family home’s rooftop. There’s something about him exuding such a “masculine” aura that feels unfamiliar due to the fact that most of the time the manga shows him as crossdressing. Hato’s interactions with his brother and Kaminaga will be the focus of the next chapter. We see that Kaminaga’s changed her hairstyle, and I wonder if it has anything to do with finding out that Hato basically has a wig matching hers.
In all honesty though, what I really want to see is the other visit home mentioned this chapter, which is that Sue has accompanied Ogiue back to (I assume) her hometown in Yamagata. Not only is there something potentially wonderful about Sue interacting with Ogiue’s family, but we’ve never actually seen Ogiue’s relatives at all. The best we’ve gotten is that Ogiue once mentioned having a little brother, but it was part of a hasty explanation after being outed as a fujoshi, so we don’t even know if this little brother actually exists.
I hope we find out.
NIS America announced last month that they have the rights to the Genshiken Second Season anime, and knowing their history of putting out deluxe box sets that are a little pricier but come with all sorts of doodads (an art book being the main one), anyone who’s a Genshiken fan would be satisfied with their Bluray release (though we don’t know what’s there yet).
The question is, would you be satisfied enough?
For the Japanese release of Genshiken Second Season, there is a special deal: If you preorder all 4 Bluray volumes before September 1st from one of three specific stores, you will get a 12-page illustration booklet AND a color print by Kio Shimoku. Order from Animate for Double Hato, Gamers for Yoshitake and Yajima, and finally Toranoana for Ogiue and Sue.
This is in addition to existing extras, which at least for Volume 1 include a 16-page illustration booklet and an animated extra entitled “The First Meeting to Discuss How a Girl This Cute Can’t Possibly Be a Girl,” as well as a “Post-Clubroom Rambling Discussion.” Whether that’s another animated feature or voice-only, I don’t know.
The only thing is, if you opt into one of these deals, you’re looking at roughly 30,000 yen for 13 episodes. Also keep in mind that a lot of these stores don’t ship internationally so you’ll have to find a way around that, which can cost you even more. You can get them cheaper through Amazon JP but then of course you wouldn’t get the extra extras.
I’ve pre-ordered the Blurays because I am an idiot. As you may have guessed, I went for the Toranoana version. I did not decide to get all three sets of Blurays because even I’m not that insane.
Honestly, unless you’re me, you’re probably better off sticking with the NIS America release as I’m pretty confident it’ll look good. The Japanese Blurays are a realm beyond, for those looking to collect every bit of Ogiue merchandise they can (there’s not a lot, you know).
Actually I’m going to buy the NIS America release as well.
When the cast list for Nidaime first came out, I found the abscene of Risa/Rihito rather conspicuous. Despite my worries that they would skip over her appearance in the anime in order to get to some of the big events later in the series, Risa did show up after all. Interestingly, this appears to her voice actor’s first anime work. If you look at Sakurai Shou’s profile, she seems to only have experience in narration and at her school’s drama club. I’m actually kind of impressed because I kept thinking she was another more established voice actor, like Park Romi.
There are a couple of things from the manga which don’t quite make it into the anime. The first one is that in the manga the reveal that Yoshitake is actually 20 (the legal drinking age in Japan) also becomes the reason she was able to buy all that alcohol the last time around. Without the scene in Episode 2 involving alcohol, this connection is lost. Similarly, when they all go over to Yoshitake’s place to drink, the manga points out that her younger sister is drinking juice instead.
The other cut seems to have to do more with time constraints and keeping the narrative flow intact from the beginning to the end of the episode. In the manga, the partying goes on until the next day, which has them all together in the morning. Rather than Hato changing at Yoshitake’s place, they all go back to Hato’s apartment first, where they find out that the reason he lives so far away is so he can have a walk-in closet for all of his women’s clothing. Again, it doesn’t appear to be for censorship reasons, just timing and pacing. One side effect of this is that when you compare the manga to the anime the characters are wearing different clothing and hairstyles.
In my original analysis of Risa, I didn’t really go into the fact that she’s the first character in Genshiken whose primary interest is shotacon. While other characters have shown the possibility (Ogiue herself is into Roy x Ed from not-Fullmetal Alchemist and who knows about Kuchiki), it feels like a whole other can of worms with the younger Yoshitake compared to the usual fujoshi pairing talk. Even the series itself acknowledges this difference, as you can see how the other characters, although accepting of her tastes, awkwardly react to some of Risa’s statements (she’s mostly into 2D). At the same time, Risa’s also another example of a person who doesn’t quite fit the typical mold of the otaku or fujoshi, being more of an athlete with “unique” interests and for whom competition takes priority over hobbies. She’s neither full-on geek nor simply a “normal.”
Incidentally, if you’re wondering why Risa hasn’t appeared in the Fujoshi Files, it’s because there’s no evidence she’s into guy-on-guy action or pairings.
In the episode, Risa talks about how she’d rather guys be completely smooth down there, but when confronted with the real deal it’s clearly not what she was expecting. It brings to mind Fred Schodt’s Manga! Manga! where he recalls an editor of a BL magazine mentioning to a reader that fantasy and reality don’t match up and that she should stick to the imagination if that’s what she wants.
I do wish we’d see more of Risa.
The next episode preview has some cosplay, but I’ll leave that breakdown for next time.
I might be calling this an episodic review in the tags, but that’s kind of a misnomer. Instead, I’d like to talk about Genshiken Second Season episode 2, or rather, what’s missing from it.
The manga equivalents of this episode would be Chapters 58, 59, and 60, but if you look at Chapter 59 you’ll notice a rather important Madarame story being cut from it. Now, this might be them cutting it out entirely, or it might be a pacing issue or something where they’d prefer to explore the new characters before putting the spotlight on the old guard again. That’s why, for now, we’ll leave it aside and assume it might actually appear in the anime at a later date, and focus on another curious cut. For those who are sticking to the anime, be warned that Chapter 59 is potentially pretty spoilery for you.
In Episode 2, Yajima, Yoshitake, and Hato all go over to Yajima’s place to create their profiles for the club magazine, Mebaetame. Prior to this, they go to buy some drinks, during which Yoshitake talks about her fantastic metabolism. What the anime did not include, however, is the fact that Yoshitake was trying to buy alcohol to liven up the party. The scene was originally a way to show how Yoshitake is as free-spirited as Yajima is straight-laced (her objection is mainly that they’re below drinking age), especially when Yoshitake ends up getting the beers anyway. Curiously, whereas in the manga they pass out due to drunkenness, in the anime, they simply got tired.
Here’s what I’m wondering: Was this cut due to time constraints, or was it cut in order to avoid showing underage drinking?
I don’t know enough about Japanese television censorship or censorship laws to determine if this is the true cause, but I do know I’ve seen plenty of manga to anime adaptations play it safe in roughly similar ways. The Bokurano anime, for example, turned a rape and exploitation storyline from the manga into something much less extreme. Genshiken does not even begin to approach that territory, but maybe for this show it’s still something they’d like to avoid.
Another thing, though not exactly a cut, is a loss of context. The moment when Ogiue slams the door on Ohno is a visual reference to the time Ogiue invited Sasahara over alone. That part of Genshiken isn’t animated, so the connection is lost.
The opening is kind of interesting. It has quite a bit of information about what’s going to happen (including the appearance of a certain saucer-eyed character and her friend), but what I find most interesting about it is that it makes it very clear that Hato is the focus of the new series, something which wasn’t always immediately obvious in the manga. Also, Sue as Koujiro Frau from Robotics;Notes is about as perfect as it gets. That’s something that wasn’t in the manga but fits Sue’s character so amazingly well that I wish it had been. There is precedent for anime stuff to make it into the original manga, though, so hope is not lost.
The new Genshiken has its first trailer, a 30-second clip. It’s just a voiceover with Yoshitake, Yajima, and Hato, as well as a small bit of Ogiue, but there are some things I observed in the trailer.
The main thing I noticed is that the new Ogiue voice, Yamamoto Nozomi, sounds similar to the previous actor Mizuhashi Kaori, though not Mizuhashi’s performance of Ogiue. Mizuhashi is quite varied (Ogiue doesn’t resemble Miyako in Hidamari Sketch), and Yamamoto’s performance sounds a bit closer to some of Mizuhashi’s other roles, such as Rosetta in Kaleidostar or Mami in Madoka Magica. So it’s sort of a match, but sort of not.
The other notable thing, I think, is that they didn’t give Yajima a “fat” voice. A lot of times, heavyset characters in anime have a deeper, rounder voice to emphasize their weight, but Yajima’s voice sounds more normal. It doesn’t quite have the coarseness I was expecting, but it’s still good to see it not fall into that old stereotype.
Genshiken Nidaime starts July 6th. I still haven’t decided if I’ll episode-blog it or not, especially because that eats up a whole bunch of my post slots (even if it would make for easy content). The other issue of course is that I’ve already done chapter reviews of the source material, and I worry that it’d be quite redundant. That said, maybe I can use it as a way to revisit those previous chapters.
What do you think? Are the chapter reviews already more than enough?
The official Genshiken II anime site has updated with a bunch of information, including a full voice actor list, and character lineart images for all of the core Nidaime cast.
At this point it’s no longer a suprise, but the entire cast list has changed from previous versions. My thoughts can be found below the cast list.
Ogiue Chika: Yamamoto Nozomi (Bouhatei Tetora, Joshiraku), formerly Mizuhashi Kaori (Miyako, Hidamari Sketch)
Yoshitake Rika: Uesaka Sumire (Nonna, Girls und Panzer)
Yajima Mirei: Uchiyama Yumi (Sagimori Arata, Saki: Episode of Side A)
Hato Kenjirou: Kakuma Ai (Mariya Hikari, Campione!) and Yamamoto Kazutomi (Kio Asuno, Gundam AGE)
Ohno Kanako: Yukana (Tsukishiro Honoka/Cure White (Futari wa Pretty Cure), formerly Kawasumi Ayako (Saber, Fate/Stay Night)
Kuchiki Manabu: Fukuyama Jun (Lelouch Lamperouge, Code Geass), formerly Ishida Akira (Athrun Zala, Gundam SEED)
Susanna Hopkins: Oozora Naomi, formerly Gotou Yuuko (Asahina Mikuru, Suzumiya Haruhi)
Madarame Harunobu: Okitsu Kazuyuki (Jonathan Joestar, JoJo’s Bizarre Adventure (2o12)), formerly Hiyama Nobuyuki (Guy Shishioh, King of Braves Gaogaigar)
Sasahara Kanji: Kobashi Tatsuya (Jack Roland, Strait Jacket), formerly Ohyama Takanori
Kohsaka Makoto: Oohara Momoko (Young Heiwajima Shizuo, Durarara!!), formerly Saiga Mitsuki (Rossiu, Toppa Gurren Lagann)
Kasukabe Saki: Satou Rina (Misaka “Railgun” Mikoto, A Certain Scientific Railgun), formerly Yukino Satsuki (Chidori Kaname, Full Metal Panic!)
Tanaka Souichirou: Takayuki Kondou (Saruwatari Gou, Godannar), formerly Seki Tomokazu (Domon Kasshu, G Gundam)
Kugayama Mitsunori: Yasumoto Hiroki (Chad, Bleach), formerly Nomura Kenji (Santana, JoJo’s Bizarre Adventure (2o12))
Angela Burton: Kobayashi Misa, formerly Kaida Yuki (Fuji Shuusuke, The Prince of Tennis)
Sasahara Keiko: Hayama Ikumi (Nunotaba Shinobu, A Certain Scientific Railgun S), formerly Shimizu Kaori (Nijou Noriko, Maria-sama ga Miteru!)
Yabusaki Kumiko: Yonezawa Madoka (Hirasawa Ui, K-ON!), Takagi Reiko (Kaolla Su, Love Hina)
Asada Naoko: Tada Konomi (Sakaguchi Karina, Girls und Panzer), formerly Saitou Momoko (Touyoko “Stealth Momo” Momoko, Saki)
Kaminaga: Noto Mamiko (Toudou Shimako, Maria-sama ga Miteru!)
They’ve also update the staff list, but most of the main people working on the show are already Genshiken veterans, such as the director Mizushima Tsutomu, and series composer Yokote Michiko, who even worked on the Drama CDs. The fact that it’s being done by Production I.G. is hopefully a good sign, though I have to wonder why in the world this series is going to have 3DCGI. Maybe for the ComiFes episodes?
As someone else pointed out to me, just by having Kaminaga in the cast you can tell roughly how much of the manga the anime will cover. The fact that it goes that far is pretty exciting (for those who haven’t read the manga, she’s a pretty big deal).
Notably missing from the voice cast though is Yoshitake Rihito. You’d need someone with a pretty masculine voice. Paku Romi perhaps?
What I think is especially interesting about the voice cast is that for a lot of the old characters they seem to have found people who are less experienced but have played somewhat similar roles in the past. For Tanaka and Madarame, you go from two veterans of screaming-and-shouting to two who are still capable. For Kuchiki, you go from one smooth and hammy (in a good way) voice in Athrun Zala to another one in Lelouch. About the strangest one might be Ui from K-ON! as the loud-mouthed Osakan, Yabusaki.
In fact, I think the voice I might miss the most is Kugayama’s, as his favorite actor sounded so much like an awkward overweight dork that it really set the tone for the rest of the anime. Not that he appears much in Nidaime though.
I also found out that Yamamoto Nozomi, the new Ogiue, is from the Tohoku region of Japan, so she should be able to do Ogiue’s inner voice no problem. Ogiue’s new character design is looking quite good. It’s really close to her current design in the manga, and while she doesn’t have that seething anger and frustration she used to have, she still shows all of the passion which has always defined her. I do want to point out that she has the glimmer in her eyes from after she started dating Sasahara. By the way, I hope they at least address that significant piece of character for Ogiue that is the Karuizawa trip somehow.
(No, seriously, it’s such a big part of her character that to skip it would be like to skip Darth Vader betraying Palpatine at the end).
Speaking of the character designs, Yoshitake in particular is fantastic, and I get the feeling that seeing her in motion is going to garner her a lot more fans.
The last thing I want to talk about is Angela Burton, who is an utter challenge for any anime to cast because of the fact that she doesn’t know Japanese and has to be shown using Ohno as an interpreter, i.e. English skills are required. Kaida Yuki (whose performance in the third Drama CD was stronger than in the anime), studied abroad in the U.S. While she hasn’t done much by way of anime, I did find out that Kobayashi Misa lists English conversation as one of her skills on her official profile, You can hear a bit of her English on her profile as well, if you click the last “3″ in that small voice sample section, under “その他.” She’s decent. It also turns out she’s also a professional mahjong player, and in fact the only video of her on Youtube I could find is on the channel of a prominent mahjong player, where she’s giving her opinion on a tournament.
So basically what I’m saying is if she came to a convention, I’d probably get her to sign my mahjong set in addition to Genshiken Nidaime DVDs/Blu-Rays.
UPDATE: Small point made below.
Ever since the announcement of the new Genshiken anime, I’ve speculated about the voice cast. Courtesy of one Anonymous Spore and the official anime website, the new cast for the Genshiken Nidaime (or Genshiken II as I prefer to call it) has been revealed, and the big, big shocker is that Mizuhashi Kaori will no longer be playing Ogiue, that most grand of angry, once-traumatized hair-brushed fujoshi.
My initial reaction has been genuine surprise and confusion, as I thought she fit the role tremendously well, and seemed to be well-established as Ogiue. Her Ogiue felt genuinely conflicted about everything, and it’s my favorite role of hers (biased perhaps). She even participated in the Genchoken radio shows with Madarame’s voice actor Hiyama Nobuyuki, and drew a comic about how she landed the role as Ogiue. Even putting aside my own Ogiue fandom I’ve thought for a long time that Mizuhashi ranks among the best voice actors out there.
That said, I think it would be a bit unfair to judge Yamamoto Nozomi before I even get to hear her voice the part of my favorite character. She’s pretty new, but she’s also already played roles such as Yukimura in Boku wa Tomodachi ga Sukunai, and Tetora in Joshiraku. When I think about Tetora’s voice in particular, it may actually be a bit closer to how I imagined Ogiue’s voice in my mind when I first read the manga. Actually, Gankyou’s voice would have been even closer, but that’s maybe getting too off-topic.
As for the rest of the cast, you have Uesaka Sumire (Dekomori in Chuunibyou demo Koi ga Shitai!) as Yoshitake Rika in addition to performing the opening theme, Uchiyama Yumi as Yajima Mirei (Davi in Dokidoki! Precure, Arata in Saki: Episode of Side A), and a combination of Kakuma Ai and Yamamoto Kazutomi handling the female and male voices of Hato Kenjirou, respectively. If you look at their list of works, all of them are pretty new voice actors, so perhaps there was something on the production side that required the use of newer voices. I read that they may be changing the old characters as well? Or maybe there was just a good old-fashioned scheduling conflict, which even happened with the Genshiken 2 anime and Keiko’s voice actor. In the end, it’s all just speculation, unless someone more familiar with the seiyuu scene could inform me otherwise.
Based on the previous roles of the actors for Yoshitake and Yajima, I can imagine them fitting their roles well, especially if they go for more naturalistic and awkward voices. I think Yajima especially will be a challenge.
In addition, voices aside, the art and character designs look probably the nicest they’ve ever been for Genshiken anime. I guess it all remains to be seen (and heard).
UPDATE: I decided to look at Mizuhashi Kaori’s official site, which isn’t really updated anymore, and what’s really curious is the fact that where once the front page image was of Ogiue in an empty cardboard box, now Ogiue has been replaced by a different character. I’m unsure if it’s meant to be Mizuhashi specifically or if it’s meant to be another one of the characters she played, but just the fact that she used to use an Ogiue image on her front page as early as September 2012 may indicate that she was rather close to the character of Ogiue.