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There’s a general trend I’ve been seeing with male anime protagonists from light novels, or more specifically anime adaptations of light novels. In many of these titles, the main characters tend towards having passivity as a defining trait, sometimes to the point of “aggressive passivity.” Not to be confused with someone who’s passive-aggressive, or even someone who’s mostly passive and occasionally active (like Shinji in the Evangelion TV series), the aggressively passive protagonist is someone whose passivity is almost a badge of honor, either in the form of a passive special ability, a self-image in which passivity practically defines them, or a reputation for passivity.
Let’s look at a brief list.
- My Teen Romantic Comedy SNAFU: Hikigaya Hachiman persistently mentiones how the real world is harsh and unforgiving and how it’s best to kind of just coast through it with little ambition.
- Mayo Chiki: Sakamichi Kintarou has the nickname of “Chicken Tarou,” indicating what a pushover he is, which he tries to fight.
- A Certain Magical Index: Kamijou Touma, though not truly passive, operates on an extremely loose philosophy of “do the right thing, I guess.” In addition, his ability is a defensive one which neutralizes other superpowers.
- Monogatari Series: Araragi Koyomi helps others out, but his abilities as a vampire mainly manifest in his ability to endure pain and injury, and even his method of active help comes across as essentially philosophically passive.
- Ookami-san: Morino Ryoushi, Ookami’s partner, is someone who can only help fight from the shadows, as he fears direct confrontation.
- Suzumiya Haruhi: Kyon, though he eventually enjoys it, starts off talking about how much he’d rather not be having strange and crazy adventures.
If you look, you’ll also find such characters in non-light novel anime. This is somewhat different from the classic milquetoast harem lead, whose averageness is taken as a way to make him the everyman and the avatar of the reader, because often-times with these aggressively passive characters a lot of time is spent talking about just how average they are and how being average/passive is the way to be.
I’m not sure why this is the case, but I suspect it may have something to do with the “herbivore men” concept that has taken hold in Japan. Herbivore men are defined as guys who shun the life of wealth, success, sex, and family, the classic symbols of masculinity, and embrace a more passive lifestyle which shirks society’s expectations. This trend gets tied to a number of things by those curious as to why it’s occurring, such as the poor Japanese economy driving down ambition towards employment, and it’s possible that the protagonists described above are a product of this environment, that the people reading (and perhaps even writing) these light novels and watching their anime adaptations also see the traditional path of Japanese men to be fraught with lies and deception.
Of course, in many of these cases, it’s not like the characters sit back and do nothing, but that passivity on some level becomes a part of their characters, either as something to be celebrated or something to be worked on. If anything, even the sampling of titles above speak towards a broad range of viewpoints as to what passivity is and whether or not it’s something to be embraced or to be worked on.
This trend is actually why I think Kirito in Sword Art Online has become such a popular hero for anime fans both male and female. It’s not that the aggressively passive hero is inherently bad, but that in this environment an aggressive protagonist stands out that much more. In SAO, Kirito is an extremely skilled fighter who helps the downtrodden, attracts women left and right, and has a powerful reputation among those inhabiting the world, while also being gentle, considerate, and devoted to those he loves. He becomes the exemplary light novel hero for those who’d rather not have a passive protagonist.
As someone who likes to keep track of fujoshi characters in anime and manga, I also tend to keep an eye out for merchandise if only to see how much coverage these characters are getting. Aside from the manga and anime they come from, there tends to be not much else, but one thing I’ve noticed is that, over the past months or so, multiple fujoshi character statue figures have been announced or released… which might actually make 2013 the Year of Fujoshi Figures, but we’ll let that slide.
First up is Wave’s “Beach Queens Shiguma Rika” from Boku wa Tomodachi ga Sukunai. A member of the “Neighbors’ Club,” Rika is a genius who is not only into homosexuality but also “mechasexuality.” All of the other female characters in her show, as well as from many other series, are in the Beach Queens line.
Next is Ryuusuke’s “Narumi Nakuru” (NSFW) from Mayo Chiki! A glasses-obsessed high school student, she gets her very own episode at the very end of the anime. This figure is not only expensive as all get-out, but it’s gigantic at a whopping 30+ cm in height. An important warning, this figure’s clothing is removable, so it may not be the best display piece.
Then there’s the “Excellent Model Limited Sazanka Bianca” from Aquarion EVOL. I wrote about her recently, and one thing I have to say is that in an interview with the writer of the series, Okada Mari, she mentions that Sazanka was meant to be a much more minor character but that she gained popularity after episode 4, which revealed her status as a fujoshi. Sazanka’s figure is an exclusive.
Coming from the Winter 2012 season is the Nendoroid Koujiro Frau from the popular Robotics;Notes. A programming genius, Frau (real name Furugoori Kona) is something of a recluse, and talks in real life almost entirely in internet slang. Might we expect a full-size figure of her at some point?
Finally, if you want to count it, there’s this “Gray Parka Service’s Homoo.” Homoo is an ascii art-based character from the mesageboard 2ch, and is meant as a parody of fujoshi and their behaviors. It (she?) crawls around on all fours, exclaiming “Homoo!”
So all in all, kind of a crazy year if you happen to be into fujoshi characters and you enjoy buying figures. That said, I have to wonder why there’s this increase, at all. Sure, there was the Ogiue figure from 2007 (which I gladly own), and some Ohno figures before that, but there seems to be an unusually high amount, likely because we’re seeing more fujoshi characters appear in these ensemble cast anime. With more shows out and on the horizon, I would not be surprised at all to see a figure of, say, Akagi Sena from Ore no Imouto ga Konna ni Kawaii wake ga Nai.